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“Chameleon” Meets Soul Train : Herbie, James, Michael, Damita Jo, and Jazz-Funk
16 references·0 citing·30 second hop
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References

  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 1995Thinking in jazz: the infinite art of improvisation793 cited
  • 2006The games black girls play: learning the ropes from double-Dutch to hip-hop239 cited
  • 1974The Significance of the Relationship between Afro-American Music and West African Music197 cited
  • 1998The Birth of Bebop: A Social and Musical History166 cited
  • 2021Keeping Time: Readings in Jazz History159 cited
  • 2000Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations.143 cited
  • 2017Stomping the Blues130 cited
  • 1998Interpreting Popular Music130 cited
  • 1996Funk: The Music, The People, and The Rhythm of The One124 cited
  • 1993Out of Notes: Signification, Interpretation, and the Problem of Miles Davis89 cited
  • 2001Dancing Many Drums: Excavations in African American Dance55 cited
  • 2001Improvisation in African-American Vernacular Dancing54 cited
  • 2006Head hunters: the making of jazz's first platinum album34 cited
  • 1995Talking Jazz: An Oral History22 cited
  • 2006Souled American: how black music transformed white culture

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