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Cited by

• 1988Ida Rubinstein: A Twentieth-Century Cleopatra104 cited
• 2002Stravinsky and the Octatonic: A Reconsideration78 cited
• 1999"Rigoroso (♪ = 126)": "The Rite of Spring" and the Forging of a Modernist Performing Style61 cited
• 1979Footnotes to Stravinsky Studies: ‘Le Sacre du printemps‘49 cited
• 1990Stravinsky's "Les Noces" and Russian Village Wedding Ritual43 cited
• 1987Chez Pétrouchka: Harmony and Tonality "chez" Stravinsky40 cited
• 1995A Myth of the Twentieth Century: The Rite of Spring, the Tradition of the New, and "The Music Itself"37 cited
• 1984Some Thoughts on the History and Historiography of Russian Music24 cited
• 2009What's your music? Subjective theories of music-creating artists23 cited
• 2014Harmony and Voice Leading in the Music of Stravinsky22 cited
• 2003Stravinsky and the Octatonic: The Sounds of Stravinsky19 cited
• 1988The Making of Ballet Modernism18 cited
• 1999Ravel's "Russian" Period: Octatonicism in His Early Works, 1893-190817 cited
• 2017The Rite of Spring Briefly Revisited: Thoughts on Stravinsky’s Stratifications, the Psychology of Meter, and African Polyrhythm16 cited