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Comics at 300 Frames per Second: Zack Snyder's300and the Figural Translation of Comics to Film
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Comics at 300 Frames per Second: Zack Snyder's300and the Figural Translation of Comics to Film (2014)Comics at 300 Frames per Second: Zack Sny…The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…The Migration Of Forms: Bullet Time As Microgenre (2007)The Migration Of Forms: Bulle…Indexicality: Trace and Sign: Introduction (2007)Indexicality: Trace and Sign:…Incompatible Visual Ontologies? The Problematic Adaptation of Drawn Images (2007)Incompatible Visual Ontologie…Digital Editing and Montage: The Vanishing Celluloid and Beyond (2004)Digital Editing and Montage: …The Visual turn: classical film theory and art history (2003)The Visual turn: classical fi…Rethinking the novel/film debate (2003)Rethinking the novel/film deb…Novels into Film (2003)Novels into FilmThe Language of New Media (2002)The Language of New MediaReading the Figural, or, Philosophy after the New Media (2001)Reading the Figural, or, Phil…Potentialities: collected essays in philosophy (2000)Potentialities: collected ess…Palimpsests: Literature in the Second Degree (1997)Palimpsests: Literature in th…True Lies: Perceptual Realism, Digital Images, and Film Theory (1996)True Lies: Perceptual Realism…Looks and frictions: essays in cultural studies and film theory (1995)Looks and frictions: essays i…Comics and Sequential Art (1985)Comics and Sequential ArtNovels into Film (1957)Novels into FilmNarrative as virtual reality: immersion and interactivity in literature and electronic media (2001)Knowledge and Critical Pedagogy (2008)Documents and Bureaucracy (2010)The Platformization of the Web: Making Web Data Platform Ready (2015)Notes on the Index: Seventies Art in America (1977)9. The Generation Of Postmemory (2008)What's the Point of an Index? or, Faking Photographs (2008)Mapping the digital empire: Google Earth and the process of postmodern cartography (2010)Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)Adaptation Studies at a Crossroads (2008)The Cambridge Introduction to Postmodernism (2015)Theorizing Adaptation (2020)Consistency of personality in interactive characters: verbal cues, non-verbal cues, and user characteristics (2000)Autographics: The Seeing "I" of the Comics (2006)Science comics as tools for science education and communication: a brief, exploratory study (2009)Witnessing Space: ‘Knowledge without Contemplation’ (2003)Diagramming Practice and Performance (2005)The New Economy, Property and Personhood (2005)Ad Hoc Concepts, Polysemy and the Lexicon (2019)Language Processing, Relevance and Questions (2019)Representation and Metarepresentation in Negation (2019)The Cambridge Introduction to Narrative (2008)Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives (2010)The Cambridge Introduction to Narrative (2020)Globalisation and culture (1997)The Uses of Complicity in the Changing Mise-en-Scène of Anthropological Fieldwork (1997)Rethinking the Digital Age (2008)The Corporeal Politics of Quality (Suzhi) (2004)Data Derivatives (2011)The Anthropology of the Future (2019)
this work references cited by second hop

References

  • 2002The Language of New Media5,017 cited
  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1997Palimpsests: Literature in the Second Degree1,554 cited
  • 2000Potentialities: collected essays in philosophy987 cited
  • 1985Comics and Sequential Art648 cited
  • 2003Rethinking the novel/film debate339 cited
  • 1995Looks and frictions: essays in cultural studies and film theory251 cited
  • 2001Reading the Figural, or, Philosophy after the New Media177 cited
  • 2007Indexicality: Trace and Sign: Introduction171 cited
  • 2003Novels into Film165 cited
  • 1957Novels into Film146 cited
  • 1996True Lies: Perceptual Realism, Digital Images, and Film Theory129 cited
  • 2003The Visual turn: classical film theory and art history48 cited
  • 2007Incompatible Visual Ontologies? The Problematic Adaptation of Drawn Images32 cited
  • 2004Digital Editing and Montage: The Vanishing Celluloid and Beyond30 cited
  • 2007The Migration Of Forms: Bullet Time As Microgenre23 cited

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