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Copper trihydroxychlorides as pigments in China
3 references·4 citing·28 second hop
Copper trihydroxychlorides as pigments in China (2012)Copper trihydroxychlorides as pigments in…Scientific research on the pictorial arts of Asia : proceedings of the second Forbes Symposium at the Freer Gallery of Art (2005)Scientific research on the pi…Copper and Bronze in Art: Corrosion, Colorants, Conservation (2002)Copper and Bronze in Art: Cor…Green degradation products of azurite in wall paintings: identification and conservation treatment (1998)Green degradation products of…Micro-Raman, XRD and THM-Py-GC/MS analysis to characterize the materials used in the Eleven-Faced Guanyin of the Du Le Temple of the Liao Dynasty, China (2021)Micro-Raman, XRD and THM-Py-G…Comprehensive Analysis of Polychrome Grotto Relics: A Case Study of the Paint Layers from Anyue, Sichuan, China (2020)Comprehensive Analysis of Pol…Pigments and binding media of polychrome relics from the central hall of Longju temple in Sichuan, China (2019)Pigments and binding media of…The origins of the Selden map of China: scientific analysis of the painting materials and techniques using a holistic approach (2016)The origins of the Selden map…A Review of Copper Chlorides and Related Salts in Bronze Corrosion and as Painting Pigments (2000)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)Uncovering the Oppenheimer Siddur: using scientific analysis to reveal the production process of a medieval illuminated Hebrew manuscript (2018)A hyperspectral imaging spectral unmixing and classification approach to pigment mapping in the Gough & Selden Maps (2019)Non-Linear Microscopy: A Well-Established Technique for Biological Applications towards Serving as a Diagnostic Tool for in situ Cultural Heritage Studies (2020)Raman analysis of ancient pigments on a tile from the Citadel of Algiers (2008)Scientific investigation of the paint and adhesive materials used in the Western Han dynasty polychromy terracotta army, Qingzhou, China (2012)Identification of animal glue and hen-egg yolk in paintings by use of enzyme-linked immunosorbent assay (ELISA) (2013)Analytical study of Buddha sculptures in Jingyin temple of Taiyuan, China (2021)Multi-analytical approach to the mural painting from an ancient tomb of Ming Dynasty in Jiyuan, China: Characterization of materials and techniques (2022)Pigment identification by spectroscopic means: an arts/science interface (2002)Immunodetection of Proteins in Ancient Paint Media (2010)Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts (2018)Detection of early Chinese organic-inorganic composite lime surface from the Lushanmao site, 4300 years ago (2021)Cu and As containing pigments in Zhejiang architecture polychrome paintings: a case study of degradation products of emerald green (2023)Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products (2001)Raman microscopy in archaeological science (2004)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Colours and pigments in late ukiyo-e art works: A preliminary non-invasive study of Japanese woodblock prints to interpret hyperspectral images using in-situ point-by-point diffuse reflectance spectroscopy (2018)A blue can conceal another! Noninvasive multispectroscopic analyses of mixtures of indigo and Prussian blue (2019)Characterisation and durability of contemporary unsized Xuan paper (2020)Large scale investigation of chemical composition, structure and corrosion mechanism of bronze archeological artefacts from Mediterranean basin (2006)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Biomaterials and biocompatibility: An historical overview (2020)Identification of copper-based green pigments in Jaume Huguet's Gothic altarpieces by Fourier transform infrared microspectroscopy and synchrotron radiation X-ray diffraction (2002)Micro-analytical evidence of origin and degradation of copper pigments found in Bohemian Gothic murals (2009)A combined Raman microscopy, XRF and SEM–EDX study of three valuable objects – A large painted leather screen and two illuminated title pages in 17th century books of ordinances of the Worshipful Company of Barbers, London (2010)
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References

  • 2002Copper and Bronze in Art: Corrosion, Colorants, Conservation409 cited
  • 1998Green degradation products of azurite in wall paintings: identification and conservation treatment78 cited
  • 2005Scientific research on the pictorial arts of Asia : proceedings of the second Forbes Symposium at the Freer Gallery of Art26 cited

Cited by

  • 2016The origins of the Selden map of China: scientific analysis of the painting materials and techniques using a holistic approach26 cited
  • 2021Micro-Raman, XRD and THM-Py-GC/MS analysis to characterize the materials used in the Eleven-Faced Guanyin of the Du Le Temple of the Liao Dynasty, China25 cited
  • 2019Pigments and binding media of polychrome relics from the central hall of Longju temple in Sichuan, China24 cited
  • 2020Comprehensive Analysis of Polychrome Grotto Relics: A Case Study of the Paint Layers from Anyue, Sichuan, China16 cited

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