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“Nobody Likes Rock and Roll but the Public”:Down Beat, Genre Boundaries and the Dismissal of Rock and Roll by Jazz Critics
16 references·0 citing·30 second hop
“Nobody Likes Rock and Roll but the Public”:Down Beat, Genre Boundaries and the Dismissal of Rock and Roll by Jazz Critics (2013)“Nobody Likes Rock and Roll but the Publi…Genre in Popular Music (2007)Genre in Popular MusicBlowin' Hot and Cool (2006)Blowin' Hot and CoolRock Criticism from the Beginning: Amusers, Bruisers, and Cool-Headed Cruisers (2005)Rock Criticism from the Begin…Long Play: Adult-Oriented Popular Music and the Temporal Logics of the Post-War Sound Recording Industry in the USA (2004)Long Play: Adult-Oriented Pop…The Rise of a Jazz Art World (2002)The Rise of a Jazz Art WorldJazz Cultures (2002)Jazz CulturesBetween Montmartre and the Mudd Club: Popular Music and the Avant-Garde (2002)Between Montmartre and the Mu…Between Montmartre and the Mudd Club (2002)Between Montmartre and the Mu…Nashville sound: authenticity, commercialization, and country music (1998)Nashville sound: authenticity…Last train to Memphis: the rise of Elvis Presley (1995)Last train to Memphis: the ri…The Seventh Stream: The Emergence of Rocknroll in American Popular Music. (1994)The Seventh Stream: The Emerg…Constructing the Jazz Tradition: Jazz Historiography (1991)Constructing the Jazz Traditi…Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)Highbrow/lowbrow: the emergen…Highbrow/Lowbrow (1988)Highbrow/LowbrowCULTURE AND SOCIETY (1959)CULTURE AND SOCIETYThe Story of Jazz (1956)The Story of JazzCultural entrepreneurship in nineteenth-century Boston: the creation of an organizational base for high culture in America (1982)No Respect: Intellectuals and Popular Culture (1990)Creating Country Music (1997)Arts participation as cultural capital in the United States, 1982–2002: Signs of decline? (2004)In Search of Authenticity* (2005)Mapping Shared Understandings Using Relational Class Analysis: The Case of the Cultural Omnivore Reexamined (2011)Consumer Culture and Postmodernism (1993)An Introduction to Theories of Popular Culture (2004)Die Gesellschaft der Singularitäten (2018)Media, Celebrities, and Social Influence: Identification With Elvis Presley (2002)Monde Creole: The Cultural World of French Louisiana Creoles and the Creolization of World Cultures (2003)Shrines and Pilgrimage in the Modern World : New Itineraries into the Sacred (2008)Marshall Winslow Stearns and the Politics of Jazz Historiography (2012)Explaining the naming of heavy metal from rock’s ‘Back Pages’: A dialogue with Deena Weinstein (2015)Improvisation and Social Aesthetics (2017)Popular Appeal Versus Expert Judgments of Motion Pictures (1999)Problems in comparative research: The example of omnivorousness (2005)Democracy versus Distinction: A Study of Omnivorousness in Gourmet Food Writing (2007)Jazz Among the Discourses (1995)Uptown Conversation (2004)Finding an alternative: Music programming in US college radio (2007)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)The Neighborhood in Cultural Production: Material and Symbolic Resources in the New Bohemia (2004)The economy of live music in the digital age (2010)The Production of Culture Perspective (2004)From the Critics’ Corner: Logic Blending, Discursive Change and Authenticity in a Cultural Production System* (2005)Legitimacy as a Social Process (2006)Control, curation and musical experience in streaming music services (2015)What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music (2017)
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References

  • 1959CULTURE AND SOCIETY1,321 cited
  • 1988Highbrow/Lowbrow1,097 cited
  • 1989Highbrow/lowbrow: the emergence of cultural hierarchy in America899 cited
  • 1991Constructing the Jazz Tradition: Jazz Historiography368 cited
  • 2007Genre in Popular Music262 cited
  • 2002The Rise of a Jazz Art World206 cited
  • 2002Between Montmartre and the Mudd Club192 cited
  • 2006Blowin' Hot and Cool180 cited
  • 1995Last train to Memphis: the rise of Elvis Presley159 cited
  • 2002Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde152 cited
  • 2002Jazz Cultures142 cited
  • 1998Nashville sound: authenticity, commercialization, and country music142 cited
  • 2005Rock Criticism from the Beginning: Amusers, Bruisers, and Cool-Headed Cruisers111 cited
  • 1956The Story of Jazz95 cited
  • 2004Long Play: Adult-Oriented Popular Music and the Temporal Logics of the Post-War Sound Recording Industry in the USA80 cited
  • 1994The Seventh Stream: The Emergence of Rocknroll in American Popular Music.66 cited

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