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Bright Lights, Big City: Lighting, Technological Modernity, and Ozu Yasujirô's Sono Yo No Tsuma (That Night's Wife, 1930)
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References

  • 2003Atlas of emotion: journeys in art, architecture, and film763 cited
  • 2001Overcome by modernity: history, culture, and community in interwar Japan338 cited
  • 2009The Mass Production of the Senses: Classical Cinema as Vernacular Modernism335 cited
  • 1981To the Distant Observer: Form and Meaning in the Japanese Cinema223 cited
  • 1992Early Cinema: Space-Frame-Narrative214 cited
  • 2001Weimar cinema and after: Germany's historical imaginary172 cited
  • 1989Ozu and the Poetics of Cinema97 cited
  • 2001The Films of Fritz Lang: Allegories of Vision and Modernity63 cited
  • 2000Managing the Truth of Sex in Imperial Japan51 cited
  • 1998Film Essays and Criticism47 cited
  • 1989German Essays on Art History45 cited
  • 2005A culture of light: cinema and technology in 1920s Germany34 cited
  • 1997German Expressionism: Art and Society29 cited
  • 2006Luminous environment: light, architecture and decoration in modern Japan24 cited
  • 2004New Perceptions: Kinugasa Teinosuke's Films and Japanese Modernism19 cited
  • 2005Edogawa Rampo and the Excess of Vision: An Ocular Critique of Modernity in 1920s Japan

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