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Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries
0 references·16 citing·45 second hop
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Cited by

  • 2012Music and 'Weltanschauung': Franz Brendel and the Claims of Universal History58 cited
  • 1984Classical Music as Popular Music49 cited
  • 1985"Über das Komische in der Musik": The Schütze-Stein Controversy42 cited
  • 2000Music with "No Past?" Archaeologies of Joseph Haydn and "The Creation"39 cited
  • 2015Myth, Science, and the Power of Music in the Early Decades of the Royal Society23 cited
  • 2009Listening, thinking and writing22 cited
  • 1993Literary motifs, musical form and the quest for the ‘Sublime’: Cherubini'sEliza ou le Voyage aux glaciers du Mont St Bernard20 cited
  • 2002Music as ideal : the aesthetics of autonomy.20 cited
  • 2011Reich in Blackface:Oh Dem Watermelonsand Radical Minstrelsy in the 1960s15 cited
  • 2013Layers of representation in nineteenth-century genres: the case of one Brahmsballade14 cited
  • 1999Music, Spirit Possession and the Copyright Law: Cross-Cultural Comparisons and Strategic Speculations12 cited
  • 2016Music and the Agents of Obsession10 cited
  • 2000‘The Work’: An Evaluative Charge10 cited
  • 1988Kurth's "Bruckner" and the Adagio of the Seventh Symphony8 cited

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1990
Of Unity and Passion: The Aesthetics of Concert Criticism in Early Nineteenth-Century Vienna
6 cited
  • 2001Popular Music Studies — Bridge or barrier?4 cited