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Through the (in)visible witness inThrough the Wire
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Through the (in)visible witness inThrough the Wire (2008)Through the (in)visible witness inThrough…Performance and cosmopolitics : cross-cultural transactions in Australasia (2007)Performance and cosmopolitics…The Era of the Witness (2006)The Era of the WitnessUnmarked (2003)UnmarkedThe spectator as witness? Binlids as case study (2003)The spectator as witness? Bin…The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)The Archive and the Repertoir…The Archive and the Repertoire (2003)The Archive and the RepertoireCertain Fragments (2002)Certain FragmentsPerforming History: Theatrical Representations of the past in Contemporary Theatre (2001)Performing History: Theatrica…Performing History: Theatrical Representations of the Past in Conetmporary Theatre (2000)Performing History: Theatrica…Certain Fragments: Texts and Writings on Performance (1999)Certain Fragments: Texts and …Disappearing acts: spectacles of gender and nationalism in Argentina's "dirty war" (1997)Disappearing acts: spectacles…Disappearing Acts (1997)Disappearing ActsPerforming Emergency: Witnessing, Popular Theatre, and the Lie of the Literal (1996)Performing Emergency: Witness…Discourses of the Vanishing: Modernity, Phantasm, Japan. (1996)Discourses of the Vanishing: …Discourses of the Vanishing (1995)Discourses of the VanishingUnmarked: The Politics of Performance (1994)Unmarked: The Politics of Per…Geographies of the Performing Arts: Landscapes, Places and Cities (2012)The Performance of Nationalism : India, Pakistan, and the Memory of Partition (2018)Theaterwissenschaft postkolonial/dekolonial (2022)9. The Generation Of Postmemory (2008)The Indigenous State: Race, Politics, and Performance in Plurinational Bolivia (2017)Exemplary Ethics in Ancient Rome (2018)Encountering Latin American and Caribbean Feminisms (2003)Globalization and Postcolonial States (2006)The Madres de Plaza de Mayo and Three Decades of Human Rights' Activism: Embeddedness, Emotions, and Social Movements (2006)“The question of belief”: writing poststructural ethnography (1995)Body Projects of Young Women of Color in Physics: Intersections of Gender, Race, and Science (2005)Practice as Research in the Arts (2013)From Fetishism to Sincerity: On Agency, the Speaking Subject, and their Historicity in the Context of Religious Conversion (1997)Gender and Internal Orientalism in China (1997)Ordinary Refugees: Social Precarity and Soul in 21st Century Japan (2012)Matter out of place: visibility and sexualities in leisure spaces (1999)Reading Erasures and Making the Familiar Strange: Defamiliarizing Methods for Research in Formerly Colonized and Historically Oppressed Communities (2003)The Art of Doing (Geographies of) Music (2007)Religious Language (1997)Radical Worlds: The Anthropology of Incommensurability and Inconceivability (2001)Economy of Dreams: Hope in Global Capitalism and Its Critiques (2006)Tweets, Tweeps, and Signifyin’ (2013)After the party: a manifesto for queer of color life (2019)On Holocaust Testimony and Its “Reception” within Its Own Frame, as a Process in Its Own Right: A Response to “Between History and Psychoanalysis” by Thomas Trezise (2009)War and Memory in Lebanon (2010)The era of the user. Testimonies in the digital age (2020)
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References

  • 2003The Archive and the Repertoire: Performing Cultural Memory in the Americas2,542 cited
  • 2003The Archive and the Repertoire2,114 cited
  • 1994Unmarked: The Politics of Performance1,810 cited
  • 1995Discourses of the Vanishing839 cited
  • 2003Unmarked803 cited
  • 1997Disappearing acts: spectacles of gender and nationalism in Argentina's "dirty war"616 cited
  • 1997Disappearing Acts397 cited
  • 1996Discourses of the Vanishing: Modernity, Phantasm, Japan.228 cited
  • 2006The Era of the Witness116 cited
  • 2007Performance and cosmopolitics : cross-cultural transactions in Australasia86 cited
  • 2000Performing History: Theatrical Representations of the Past in Conetmporary Theatre78 cited
  • 1999Certain Fragments: Texts and Writings on Performance68 cited
  • 1996Performing Emergency: Witnessing, Popular Theatre, and the Lie of the Literal59 cited
  • 2002Certain Fragments56 cited
  • 2001Performing History: Theatrical Representations of the past in Contemporary Theatre46 cited
  • 2003The spectator as witness? Binlids as case study19 cited

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