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"The Safeness of Standing Alone": Alfred Stieglitz, Camera Work, and the Organizational Roots of the American Avant-Garde
16 references·0 citing·28 second hop
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References

  • 1985Theory of the Avant-Garde744 cited
  • 1988Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism671 cited
  • 1980Problems in Materialism and Culture: Selected Essays612 cited
  • 1989The real thing: imitation and authenticity in American culture, 1880-1940392 cited
  • 1990Reading American Photographs: Images as History, Mathew Brady to Walker Evans.340 cited
  • 1990The Real Thing: Imitation and Authenticity in American Culture, 1880-1940.274 cited
  • 1977Five Faces of Modernity: Modernism, Avant-garde, Decadence, Kitsch, Postmodernism173 cited
  • 1991Strange bedfellows: the first American avant-garde141 cited
  • 1887Appletons' Cyclopædia of American Biography130 cited
  • 1990Reading American Photographs: Images as History, Mathew Brady to Walker Evans123 cited
  • 1987Modern and Modernism: The Sovereignty of the Artist 1885-1925115 cited
  • 1988New York Intellect: A History of Intellectual Life in New York City, from 1750 to the Beginnings of Our Own Time115 cited
  • 1994Making the Modern: Industry, Art, and Design in America.80 cited
  • 1983Ministers of Reform: The Progressives' Achievement in American Civilization, 1889-192079 cited
  • 1987The Lyrical Left: Randolph Bourne, Alfred Stieglitz, and the Origins of Cultural Radicalism in America

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59 cited
  • 1967The Artist in American Society: The Formative Years, 1790-186053 cited
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