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Emotional energy and sub-cultural politics: alternative bands in post-1997 Hong Kong
15 references·8 citing·33 second hop
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References

  • 1968Studies in Ethnomethodology.12,446 cited
  • 1991The Condition of Postmodernity8,605 cited
  • 1995Lectures on Conversation5,393 cited
  • 1995Subculture: The Meaning of Style3,813 cited
  • 1996Club cultures: music, media and subcultural capital1,941 cited
  • 1986Quest for Excitement: Sport and Leisure in the Civilizing Process1,190 cited
  • 1992We gotta get out of this place: popular conservatism and postmodern culture1,009 cited
  • 1978Resistance Through Rituals897 cited
  • 2006Reading the Popular705 cited
  • 1990Stratification, emotional energy, and the transient emotions.360 cited
  • 1998Hip Hop America252 cited
  • 2017Rock and Sexuality146 cited
  • 1992Music as social text141 cited
  • 2001‘Plugged in’: technology and popular music68 cited
  • 2001Popular music, gender and sexuality26 cited

Cited by

  • 2009The Subversive Sociocultural Meanings of Cantopop Electronic Dance Music19 cited
  • 2013

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Hip-Hop Heteroglossia as Practice, Pleasure, and Public Pedagogy: Translanguaging in the lyrical poetics of “24 Herbs” in Hong Kong
17 cited
  • 2010Hybridity, Empowerment and Subversiveness in Cantopop Electronic Dance Music15 cited
  • 2009Taike rockand its discontent6 cited
  • 2011The Bilingual Verbal Art of Fama: Linguistic Hybridity and Creativity of a Hong Kong Hip-Hop Group4 cited
  • 2021Musical resistance and musical bodies in the making: A worker-band from southern China4 cited
  • 2011The importance of being free: Fu©Kin Music as alternative pop music production4 cited
  • 2020Introduction: shifting undergrounds in East and Southeast Asia4 cited