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Jeffrey A. Knapp

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Shakespeare, Adaptation, and Literary Criticism Theatre and Performance Studies Renaissance Literature and Culture

Abstract

ABSTRACT In this essay, Jeffrey Knapp questions the recent critical orthodoxy that treats authorship as a menacing latecomer to the popular and collaborative Elizabethan stage. Demonstrating that a literary paradigm of single authorship dominated Elizabethan thinking about playwriting, Knapp presents Hamlet as Shakespeare's attempt to develop a more theatrically inflected model of authorship through the dramatization of his own hybrid professional identity as an actor and a playwright.

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1978Research opportunities in renaissance drama 2001Early Modern Collaboration and Theories of Authorship

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2014Current performance and future trends in health care sciences and services research 2013Global informetric perspective studies on translational medical research 2007Citizens' Games: Differentiating Collaboration and Sir Thomas More 2014Shakespeare, Poetic Collaboration andThe Passionate Pilgrim 2012The Cambridge Companion to Shakespeare and Contemporary Dramatists 2012Shakespeare and Paradigms of Early Modern Authorship 2013Heralding the Commonplace: Authorship, Voice, and the Commonplace in Shakespeare's Rape of Lucrece 2012‘The words of Mercury’

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