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Opera on the Road: Traveling Opera Troupes in the United States, 1825-60.
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Opera on the Road: Traveling Opera Troupes in the United States, 1825-60. (1995)Opera on the Road: Traveling Opera Troupe…Colloquy: Shadow Culture Narratives: Race, Gender, and American Music Historiography (2020)Colloquy: Shadow Culture Narr…(De)railing Mobility: Opera, Stasis, and Locomotion on Late-Nineteenth-Century Italian Tracks (2018)(De)railing Mobility: Opera, …Funding “Opera for the 80s and Beyond”: The Role of Impresarios in Creating a New American Repertoire (2017)Funding “Opera for the 80s an…Emily Dickinson’s Music Book: A Performative Exploration (2016)Emily Dickinson’s Music Book:…“MyBusiness is to Sing”: Emily Dickinson's Musical Borrowings (2014)“MyBusiness is to Sing”: Emil…Italian operatic fantasies in Latin America (2012)Italian operatic fantasies in…Studying U.S. Music in the Twenty-First Century (2011)Studying U.S. Music in the Tw…Opera and the Mainstreaming of Blackface Minstrelsy (2007)Opera and the Mainstreaming o…Louis Moreau Gottschalk, John Sullivan Dwight, and the development of musical culture in the United States, 1853--1865 (2007)Louis Moreau Gottschalk, John…Secular music to 1800 (1998)Secular music to 1800Sacred music to 1800 (1998)Sacred music to 1800Nineteenth-century popular music (1998)Nineteenth-century popular mu…Music in America: an overview (part 1) (1998)Music in America: an overview…Art music from 1860 to 1920 (1998)Art music from 1860 to 1920George M. Fredrickson. The Black Image in the White Mind: The Debate on Afro-American Character and Destiny, 1817–1914. New York: Harper and Row. 1971. Pp. xiii, 343. $10.00 (1974)A People's History of the United States: 1492-Present (1980)“Our War-Songs” (1864): Popular Song and Music Criticism during the American Civil War (2017)The Wages of Whiteness (2017)Highbrow/Lowbrow (1988)Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)American musical theatre before the twentieth century (2001)American Musical Theatre before the Twentieth Century (2017)The Cambridge Companion to the Musical (2017)Globalization: Social Theory and Global Culture. (1993)Globalization: Social Theory and Global Culture (2000)Die Verwandlung der Welt (2009)Between cosmopolitanism and nationhood: Italian opera in the early nineteenth century (2014)Pauline Viardot, Travelling Virtuosa (2015)Female Singers on the French Stage, 1830–1848 (2018)Noise, the Political Economy of Music (1989)Philosophy as a way of life: spiritual exercises from Socrates to Foucault (1996)Cultural Geography: A Critical Introduction (2000)“The Tears I Shed at the Songs of Thy Church”: Seventeenth-Century Musical Piety in the English Atlantic World (2012)Algorithms to Assess Music Cities (2017)Race, Blacksound, and the (Re)Making of Musicological Discourse (2019)Anatomy of Criticism (1957)The Black Atlantic: Modernity and Double Consciousness (1994)Book Review: Modernity at Large: Cultural Dimensions of Globalization (1998)The New England Singing School: Ritual Change and Religious Culture in Revolutionary America (2011)Sounds of Sympathy: William Wells Brown’s Anti-Slavery Harp , Abolition, and the Culture of Early and Antebellum American Song (2014)Subculture: The Meaning of Style. (1981)The Cambridge Companion to the Musical (2001)The Cambridge companion to the musical (2003)The Complete Poems of Emily Dickinson (1924)The Letters of Emily Dickinson (1960)The Life of Emily Dickinson (1975)The Complete Works (1943)Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde. (1997)Experimentalism Otherwise: The New York Avant-Garde and Its Limits (2011)On the Move: Mobility in the Modern Western World (2006)The shock of the old: technology and global history since 1900 (2007)The Railway Journey (2014)The Cult of True Womanhood: 1820-1860 (1966)Modernism and the Harlem Renaissance (1987)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)
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  • 2007Opera and the Mainstreaming of Blackface Minstrelsy50 cited
  • 2012Italian operatic fantasies in Latin America43 cited
  • 2011Studying U.S. Music in the Twenty-First Century20 cited
  • 1998Nineteenth-century popular music9 cited
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  • 2020Colloquy: Shadow Culture Narratives: Race, Gender, and American Music Historiography5 cited
  • 2016Emily Dickinson’s Music Book: A Performative Exploration5 cited
  • 2007Louis Moreau Gottschalk, John Sullivan Dwight, and the development of musical culture in the United States, 1853--18655 cited
  • 2018(De)railing Mobility: Opera, Stasis, and Locomotion on Late-Nineteenth-Century Italian Tracks3 cited
  • 2017Funding “Opera for the 80s and Beyond”: The Role of Impresarios in Creating a New American Repertoire3 cited
  • 2014“MyBusiness is to Sing”: Emily Dickinson's Musical Borrowings3 cited
  • 1998Art music from 1860 to 19203 cited
  • 1998Music in America: an overview (part 1)3 cited
  • 1998Secular music to 18002 cited

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