Después de "Genealogías feministas". Estrategias feministas de intervención en los museos y tareas pendientes

Abstract

Taking as a point of departure the case of the recent exhibition Feminist Genealogies in Spanish Art, 1960- 2010, this paper discusses the role, but also the shortages, of feminist temporary exhibitions. To what extent have this kind of exhibitions been successful in changing or, at least, destabilizing the canon of contemporary Spanish art? Have they influenced the discourse of main art museums and scholarly research? Have they helped us to reconsider our own methods and points of view? How have the categories "women artist" and "feminist art" been redefined? And finally, what is still to be done?

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