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“What Is Cinema?” An Agnostic Answer
4 references·4 citing·27 second hop
“What Is Cinema?” An Agnostic Answer (2008)“What Is Cinema?” An Agnostic AnswerThe Way Hollywood Tells It (2006)The Way Hollywood Tells ItHeard over the phone: The Lonely Villa and the de Lorde tradition of the terrors of technology (1991)Heard over the phone: The Lon…Babel and Babylon (1991)Babel and BabylonWhat is cinema (1967)What is cinema2. Towards a ‘Humanistic Cinemetrics’? (2017)2. Towards a ‘Humanistic Cine…‘What the Moon is Like’: technology, modernity, and experience in a late-nineteenth-century astronomical entertainment (2017)‘What the Moon is Like’: tech…Moving-Picture Media and Modernity: Taking Intermediate and Ephemeral Forms Seriously (2009)Moving-Picture Media and Mode…Digital Tools in Media Studies (2009)Digital Tools in Media StudiesThe Anglo-Saxon Riddle as Lyric Mode (1965)The British Film Institute (2008)What about people in Regional Science? (1970)It's About Time: A Conceptual Framework for the Representation of Temporal Dynamics in Geographic Information Systems (1994)Market Segmentation: Conceptual and Methodological Foundations (1997)Film Analysis as Annotation: Exploring Current Tools (2017)Electrifying America: social meanings of a new technology, 1880-1940 (1991)The Cinema of Attractions Reloaded (2006)Victorian Popularizers of Science (2007)Science in Action (1987)The Rise of Statistical Thinking, 1820-1900 (1988)The Language of New Media (2002)Computational Archives for Experimental Museology (2021)Digital Access as Archival Reconstitution: Algorithmic Sampling, Visualization, and the Production of Meaning in Large Moving Image Repositories (2021)Creanalytics : Automating the supercut as a form of critical technical practice (2023)Film as a Teaching Resource (1999)Paradox and the Consumption of Authenticity through Reality Television (2005)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)From Kaleidoscomaniac to Cybernerd: Notes toward an Archaeology of the Media (1997)New Media: A Critical Introduction (2003)Deceitful Media (2021)The Changing Nature of Audiences: From the Mass Audience to the Interactive Media User (2003)“Praise the Lord”: Popular cinema and pentecostalite style in Ghana's new public sphere (2004)The New Film History as Media Archaeology (2005)Quicker, Faster, Darker: Changes in Hollywood Film over 75 Years (2011)Mega-Melodrama! Vertical and Horizontal Suspensions of the “Classical” (2012)Narrative theory and the dynamics of popular movies (2016)
this work references cited by second hop

References

  • 1991Babel and Babylon813 cited
  • 1967What is cinema602 cited
  • 2006The Way Hollywood Tells It431 cited
  • 1991Heard over the phone: The Lonely Villa and the de Lorde tradition of the terrors of technology73 cited

Cited by

  • 2009Digital Tools in Media Studies14 cited
  • 20172. Towards a ‘Humanistic Cinemetrics’?10 cited
  • 2009Moving-Picture Media and Modernity: Taking Intermediate and Ephemeral Forms Seriously4 cited
  • 2017‘What the Moon is Like’: technology, modernity, and experience in a late-nineteenth-century astronomical entertainment4 cited

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