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This paper addresses concerns currently being considered at the Art Gallery of New South Wales regarding picture frame preservation, Three case studies will be discussed covering the broader philosophical issues encountered within the institution with regard to the conservator, curator and the intent of the artist.
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Stored only when both papers are in the corpus — 3 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.