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Factive Pictorial Experience: What's Special about Photographs?
11 references·4 citing·32 second hop
Factive Pictorial Experience: What's Special about Photographs? (2010)Factive Pictorial Experience: What's Spec…Sight and sensibility: evaluating pictures (2006)Sight and sensibility: evalua…Sight and Sensibility: Evaluating Pictures edited by lopes, dominic mciver (2006)Sight and Sensibility: Evalua…On the Epistemic Value of Photographs (2004)On the Epistemic Value of Pho…Picture, Image and Experience (2001)Picture, Image and ExperienceOn Pictures and Photographs: Objections Answered (1997)On Pictures and Photographs: …Image and Mind (1995)Image and MindMimesis as Make-Believe (1993)Mimesis as Make-BelievePhotography, Painting and Perception (1991)Photography, Painting and Per…Painting as an Art (1987)Painting as an ArtTransparent Pictures: On the Nature of Photographic Realism (1984)Transparent Pictures: On the …Photography, Vision, and Representation (1975)Photography, Vision, and Repr…“Deepfakes and Dishonesty” (2024)“Deepfakes and Dishonesty”Seeing in Mirrors (2021)Seeing in MirrorsThe Real Challenge to Photography (as Communicative Representational Art) (2015)The Real Challenge to Photogr…PHOTOGRAPHICALLY BASED KNOWLEDGE (2013)PHOTOGRAPHICALLY BASED KNOWLE…What is cinema (1967)Categories of Art (1970)Knowledge and the Flow of Information. (1983)Achievement and Satisfaction in Blended Learning versus Traditional General Health Course Designs (2009)The Red and the Real (2009)What is episodic memory if it is a natural kind? (2014)Look again: Phenomenology and mental imagery (2006)Predication and cartographic representation (2008)The Unity of Imagining (2012)EXPRESSION AND EXPRESSIVENESS IN ART (2007)Cognitivism and the Arts (2008)On the Twofoldness of Character (2011)CEO Portraits and the Authenticity Paradox* (2005)Semiotics For Beginners (2011)A cognitive theory of pretense (2000)Mindreading (2003)Simulating Minds (2006)Pretend Play Skills and the Child's Theory of Mind (1993)Technologies of the Imagination: An Introduction (2009)The Early Ontogeny of Social Norms (2012)Depiction, Perception, and Imagination: Responses to Richard Wollheim (2002)Perceiving pictures (2011)Choreography Invisible (2020)Seeing, Doing, and Knowing (2005)Getting Told and Being Believed (2006)The Epistemic Threat of Deepfakes (2020)Artistic Value Defended (2012)Redefining Comics (2012)The Profile of Imagining (2024)Framing the Gift: The Politics of the Siphnian Treasury at Delphi (2001)Neuroimaging and Inferential Distance (2008)Choral Constructions in Greek Culture (2021)
this work references cited by second hop

References

  • 1993Mimesis as Make-Believe861 cited
  • 1995Image and Mind552 cited
  • 1984Transparent Pictures: On the Nature of Photographic Realism426 cited
  • 2001Picture, Image and Experience166 cited
  • 1975Photography, Vision, and Representation148 cited
  • 1987Painting as an Art140 cited
  • 2004On the Epistemic Value of Photographs133 cited
  • 1997On Pictures and Photographs: Objections Answered54 cited
  • 2006Sight and sensibility: evaluating pictures41 cited
  • 2006Sight and Sensibility: Evaluating Pictures edited by lopes, dominic mciver40 cited
  • 1991Photography, Painting and Perception37 cited

Cited by

  • 2013PHOTOGRAPHICALLY BASED KNOWLEDGE40 cited
  • 2015The Real Challenge to Photography (as Communicative Representational Art)25 cited
  • 2024“Deepfakes and Dishonesty”23 cited
  • 2021Seeing in Mirrors6 cited

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