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Part IV: Is Die Antwoord Blackface?
9 references·2 citing·33 second hop
Part IV: Is Die Antwoord Blackface? (2012)Part IV: Is Die Antwoord Blackface?The New Jim Crow: Mass Incarceration in the Age of Colorblindness (2011)The New Jim Crow: Mass Incarc…The new Jim Crow: mass incarceration in the age of colorblindness (2010)The new Jim Crow: mass incarc…District 9: A Roundtable (2010)District 9: A RoundtableDigital Sampling and Cultural Inequality (2006)Digital Sampling and Cultural…Thabo Mbeki and the Battle for the Soul of the ANC (2005)Thabo Mbeki and the Battle fo…Borrowed Power: Essays on Cultural Appropriation. (1998)Borrowed Power: Essays on Cul…Love and Theft: Blackface Minstrelsy and the American Working Class. (1996)Love and Theft: Blackface Min…Inside the minstrel mask : readings in nineteenth-century blackface minstrelsy (1996)Inside the minstrel mask : re…Love and Theft: Blackface Minstrelsy and the American Working Class. (1994)Love and Theft: Blackface Min…Music’s “Non-Political Neutrality”: When race dare not speak its name (2020)Music’s “Non-Political Neutra…Enter the imperceptible: Reading Die Antwoord (2015)Enter the imperceptible: Read…A Thousand Plateaus: Capitalism and Schizophrenia (1989)Woman, Native, Other: Writing Postcoloniality and Feminism (1990)Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation (1999)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Introduction: Harmony or Dissonance? Copyright Concepts and Musical Practice (2006)Framing the consumer (2012)Revisiting Digital Sampling Rhetorics with an Ethics of Care (2016)New York University Law Review (2017)Homo sacer: sovereign power and bare life (1999)Race and revenge fantasies in Avatar, District 9 and Inglourious Basterds (2011)Looking forward, looking back: animating magic, modernity and the African city-future in Nnedi Okorafor’s Lagoon (2017)The Language of Psychoanalysis (2018)Homo Sacer (2020)The Race Discrimination System (2012)Equity Issues in Parental and Community Involvement in Schools (2013)Toward a Psychological Framework of Radical Healing in Communities of Color (2019)Dis/ability critical race studies (DisCrit): theorizing at the intersections of race and dis/ability (2012)Racism and Health I (2013)Structural racism and health inequities in the USA: evidence and interventions (2017)Tradition: Three Traditions (2009)Cultural appropriation and the intimacy of groups (2018)The psychedelic renaissance and the limitations of a White-dominant medical framework: A call for indigenous and ethnic minority inclusion (2019)Representing Whiteness in the Black Imagination (1997)The Whiteness of Nerds: Superstandard English and Racial Markedness (2001)Hybrid Masculinities: New Directions in the Sociology of Men and Masculinities (2014)African American English: A Linguistic Introduction (2004)Signs of Difference (2019)First of the Red Hot Mamas: "Coon Shouting" and the Jewish Ziegfeld Girl (1999)Black Faces, White Voices: The Politics of Dubbing in Carmen Jones (2003)Color-Blind Ideology and the Cultural Appropriation of Hip-Hop (2006)Ten Propositions about Black Economic Empowerment in South Africa (2007)Locating Xenophobia: Debate, Discourse, and Everyday Experience in Cape Town, South Africa (2010)Framing the race in South Africa the political origins of racial-census elections (2011)
this work references cited by second hop

References

  • 2010The new Jim Crow: mass incarceration in the age of colorblindness4,407 cited
  • 2011The New Jim Crow: Mass Incarceration in the Age of Colorblindness4,130 cited
  • 1994Love and Theft: Blackface Minstrelsy and the American Working Class.1,219 cited
  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
  • 2005Thabo Mbeki and the Battle for the Soul of the ANC369 cited
  • 1996Inside the minstrel mask : readings in nineteenth-century blackface minstrelsy260 cited
  • 1998Borrowed Power: Essays on Cultural Appropriation.184 cited
  • 2006Digital Sampling and Cultural Inequality64 cited
  • 2010District 9: A Roundtable23 cited

Cited by

  • 2015Enter the imperceptible: Reading Die Antwoord6 cited
  • 2020Music’s “Non-Political Neutrality”: When race dare not speak its name5 cited

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