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Hip-Hop & the Global Imprint of a Black Cultural Form
6 references·16 citing·44 second hop
Hip-Hop & the Global Imprint of a Black Cultural Form (2011)Hip-Hop & the Global Imprint of a Black C…FIGHT THE POWER: Rap, Race, and Reality (2020)FIGHT THE POWER: Rap, Race, a…Music Scenes: Local, Translocal, and Virtual (2011)Music Scenes: Local, Transloc…The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture (2006)The Vinyl Ain't Final: Hip Ho…That's the Joint! (2004)That's the Joint!Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Imagined Communities. Reflect…Performing sex: The representation of male and female musicians in three genres of music performance (2022)Performing sex: The represent…Indigenous Hip-Hop: Digital Media Practices Among Youth of the South African San People (2021)Indigenous Hip-Hop: Digital M…Glocalisation of Nigerian contemporary hip hop music (2020)Glocalisation of Nigerian con…Towards a Chinese Hip-hop Feminism and a Feminist Reassessment of Hip-hop with Breakdance: B-girling in Hong Kong, Taiwan and China (2019)Towards a Chinese Hip-hop Fem…Too Dark to Support the Lions, But Light Enough for the Frontlines”: Negotiating Race, Place, and Nation in Afro-Finnish Hip Hop (2019)Too Dark to Support the Lions…Rap it up, share it up: Identity politics of youth “social” movement in Moroccan online rap music (2019)Rap it up, share it up: Ident…Culture, Communication and Hybridity: The Case ofThe Rap of China (2019)Culture, Communication and Hy…Hip Hop Pedagogy as Culturally Sustaining Pedagogy (2018)Hip Hop Pedagogy as Culturall…Keepin’ It Real: Authenticity, Commercialization, and the Media in Korean Hip Hop (2017)Keepin’ It Real: Authenticity…LOCATING HIP HOP ORIGINS: POPULAR MUSIC AND TRADITION IN SENEGAL (2016)LOCATING HIP HOP ORIGINS: POP…Hiphop literacies and the globalization of Black popular culture (2016)Hiphop literacies and the glo…‘The world is yours’: the globalization of hip-hop language (2016)‘The world is yours’: the glo…‘First things first, I'm the realest’: Linguistic appropriation, white privilege, and the hip‐hop persona of Iggy Azalea (2015)‘First things first, I'm the …First Nations youth redefine resilience: listening to artistic productions of ‘Thug Life’ and hip-hop (2014)First Nations youth redefine …Swag' and 'Cred': Representing Hip-Hop in the African City (2013)Swag' and 'Cred': Representin…Globalization, Identity, and Youth Resistance: Kenya’s Hip Hop Parliament (2011)Globalization, Identity, and …Outline of a Theory of Practice. (1980)Reading the Romance: Women, Patriarchy, and Popular Literature. (1985)Bowling Alone: America's Declining Social Capital (1995)Authentic Identities (2006)Soundscapes: Toward a Sounded Anthropology (2010)I Was a Teenage Vegan: Motivation and Maintenance of Lifestyle Movements (2014)Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)Sociolinguistic Patterns (2000)Style (2007)Rihanna Works Her Multivocal Pop Persona: A Morpho-syntactic and Accent Analysis of Rihanna's Singing Style (2017)‘Cash me ousside’: A citizen sociolinguistic analysis of online metalinguistic commentary (2018)Code of the street: decency, violence, and the moral life of the inner city (1999)Code of the Street: Decency, Violence, and the Moral Life of the Inner City (2001)Resilience across Cultures (2006)From East Harlem to Cape Town: Tupac Shakur’s legacy as a globalised oppositional repertoire (2020)A Different Energy: The Critical Hip-Hop Teaching Artist and School Culture (2022)Using and Abusing the Arts with ‘At-Risk’ Youth (2022)Modernity at Large: Cultural Dimensions of Globalization. (1998)Research Design: Qualitative, Quantitative, and Mixed Methods Approaches (2009)Distinction: A Social Critique of the Judgement of Taste* (2018)‘Jianghu flow’: examining cultural resonance in The Rap of China (2020)From Hanok to Hanbok: Traditional iconography in Korean hip hop music videos (2020)The discursive construction of East Asian identities in an era of globalization and internationalization: the linguistic landscape of East Asian departments at a U.S. university (2020)The Interpretation of Cultures: Selected Essays. (1975)Disjuncture and Difference in the Global Cultural Economy (1990)The Rise of the Network Society (2009)Platform nations (2022)Rhyming style, persona, and the contested landscape of authentic Chinese hip hop (2023)Rejecting resistance: Everyday resistance and harmony in Chinese hip-hop (2024)Framing and Reviewing Hip-Hop Educational Research (2009)Arab America: gender, cultural politics, and activism (2013)Authenticity and Consumer Value Ratings: Empirical Tests from the Restaurant Domain (2013)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Musicking: The Meanings of Performing and Listening (2000)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)Disjuncture and Difference in the Global Cultural Economy (1990)Discourse Analysis as Theory and Method (2002)Decolonization is not a metaphor (2012)Global Ill-Literacies (2011)Translocal style communities (2015)From the margins to the mainstream: making and remaking an alternative music economy in Dar es Salaam (2016)From the margins to mainstream: the political power of hip-hop (1998)Enhancing critical consciousness in young African American men: A psychoeducational approach. (2002)RACIALIZATION, GENDER, AND THE NEGOTIATION OF POWER IN STOCKHOLM’S AFRICAN DANCE COURSES (2006)
this work references cited by second hop

References

  • 1985Imagined Communities. Reflections on the Origin and Spread of Nationalism25,901 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
  • 2004That's the Joint!342 cited
  • 2011Music Scenes: Local, Translocal, and Virtual229 cited
  • 2020FIGHT THE POWER: Rap, Race, and Reality135 cited
  • 2006The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture113 cited

Cited by

  • 2015‘First things first, I'm the realest’: Linguistic appropriation, white privilege, and the hip‐hop persona of Iggy Azalea93 cited
  • 2019Culture, Communication and Hybridity: The Case ofThe Rap of China40 cited
  • 2014First Nations youth redefine resilience: listening to artistic productions of ‘Thug Life’ and hip-hop27 cited
  • 2017Keepin’ It Real: Authenticity, Commercialization, and the Media in Korean Hip Hop26 cited
  • 2019Towards a Chinese Hip-hop Feminism and a Feminist Reassessment of Hip-hop with Breakdance: B-girling in Hong Kong, Taiwan and China23 cited
  • 2013Swag' and 'Cred': Representing Hip-Hop in the African City23 cited
  • 2016‘The world is yours’: the globalization of hip-hop language21 cited
  • 2016Hiphop literacies and the globalization of Black popular culture20 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2016LOCATING HIP HOP ORIGINS: POPULAR MUSIC AND TRADITION IN SENEGAL18 cited
  • 2019Rap it up, share it up: Identity politics of youth “social” movement in Moroccan online rap music15 cited
  • 2019Too Dark to Support the Lions, But Light Enough for the Frontlines”: Negotiating Race, Place, and Nation in Afro-Finnish Hip Hop15 cited
  • 2022Performing sex: The representation of male and female musicians in three genres of music performance15 cited
  • 2020Glocalisation of Nigerian contemporary hip hop music14 cited
  • 2018Hip Hop Pedagogy as Culturally Sustaining Pedagogy11 cited
  • 2021Indigenous Hip-Hop: Digital Media Practices Among Youth of the South African San People4 cited
  • 2011Globalization, Identity, and Youth Resistance: Kenya’s Hip Hop Parliament4 cited