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Tutira Mai Nga Iwi (Line up together, people): Constructing New Zealand identity through commercial radio
2 references·3 citing·22 second hop
Tutira Mai Nga Iwi (Line up together, people): Constructing New Zealand identity through commercial radio (2007)Tutira Mai Nga Iwi (Line up together, peo…Pop and the Nation-State: towards a theorisation (1999)Pop and the Nation-State: tow…Kiwi rock: popular music and cultural identity in New Zealand (1994)Kiwi rock: popular music and …Student Radio: “A Good Friend of New Zealand Music” (2021)Student Radio: “A Good Friend…New Zealand Music in the Popular Imagination 1988-2010: Revisiting a Moment for ‘Our Music’. (2018)New Zealand Music in the Popu…Popular music as social policy: Hybrid-hierarchies and social inclusion through New Zealand’s pop renaissance (2011)Popular music as social polic…Sociology of the Global System. (1992)Sociology of the Global System. (1993)Taking Care of Business: Citizenship and the Charter of Incorporation (1993)Sonic psychogeography (2009)The Cambridge Companion to the Singer-Songwriter (2016)Globalization: social theory and global culture (1993)Globalization: Social Theory and Global Culture (2000)When politics goes pop: on the intersections of popular and political culture and the case of Serbian student protests (2004)THE SONGS OF THE SIREN: Engineering National Time on Israeli Radio (2009)Musical memory, heritage and local identity: remembering the popular music past in a European Capital of Culture (2012)Theory and Methods in Political Science (2017)Distinction: A Social Critique of the Judgement of Taste. (1985)The three worlds of welfare capitalism (1990)“Will there be music for us?” Mapping the health and well-being potential of participatory music practice with asylum seekers and refugees across contexts of conflict and refuge (2014)Where words fail, music speaks: the impact of participatory music on the mental health and wellbeing of asylum seekers (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)‘Burnt out by all the exploitation’: Involuted labour in creative fields (2024)Subcultural identity in alternative music culture (1993)What Is Indie Rock? (2005)Local Identity and Independent Music Scenes, Online and Off (2010)Radio in the Global Age (2000)Home. Land and Sea: Situating Music in Aotearoa New Zealand (2014)
this work references cited by second hop

References

  • 1994Kiwi rock: popular music and cultural identity in New Zealand61 cited
  • 1999Pop and the Nation-State: towards a theorisation48 cited

Cited by

  • 2011Popular music as social policy: Hybrid-hierarchies and social inclusion through New Zealand’s pop renaissance12 cited
  • 2021Student Radio: “A Good Friend of New Zealand Music”3 cited
  • 2018New Zealand Music in the Popular Imagination 1988-2010: Revisiting a Moment for ‘Our Music’.2 cited

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