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A "Voice to Sing": Rongelapese Musical Activism and the Production of Nuclear Knowledge
5 references·5 citing·30 second hop
A "Voice to Sing": Rongelapese Musical Activism and the Production of Nuclear Knowledge (2012)A "Voice to Sing": Rongelapese Musical Ac…Dissensus: On Politics and Aesthetics (2010)Dissensus: On Politics and Ae…Real country: music and language in working-class culture (2005)Real country: music and langu…The Audible Past (2003)The Audible PastBravo for the Marshallese : Regaining Control in a Post-Nuclear, Post-Colonial World (2003)Bravo for the Marshallese : R…The Senses Still: Perception And Memory As Material Culture In Modernity (1994)The Senses Still: Perception …Radiation Sounds (2021)Radiation SoundsDid Music Cause the End of the World? (2020)Did Music Cause the End of th…Attending to the Nightingale: On a Multispecies Ethnomusicology (2020)Attending to the Nightingale:…The Nuclear Sensorium: Cold War Nuclear Imperialism and Sensory Violence (2019)The Nuclear Sensorium: Cold W…Vocal Ability and Musical Performances of Nuclear Damages in the Marshall Islands (2016)Vocal Ability and Musical Per…Settler colonialism and the elimination of the native (2006)The organ of the soul: voice, damage and affect (2006)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)Reassembling the Social (2005)Vibrant Matter (2010)Zwischen Lärmkontamination und Verstummen (2022)Sounding Together (2024)“Sounds like” Redemption? (2025)Discipline and Punish: The Birth of the Prison. (1996)The Closed World (1996)Slow Violence and the Environmentalism of the Poor (2011)Prologue: Introduction to Sensori-Legal Studies (2019)Meeting the Universe Halfway (2006)The Interpretation of Cultures (1974)Discipline and Punish: The Birth of the Prison. (1978)The Dialogic Imagination: Four Essays (1981)The Modalities of Nostalgia (2006)An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography (2007)An urban tour (2008)The Relevance of Algorithms (2014)Digitalization (2016)Anthropology and Militarism (2007)Sea Change: Island Communities and Climate Change (2012)Protectors of the Future, Not Protestors of the Past: Indigenous Pacific Activism and Mauna a Wākea (2017)Why does country music sound white? Race and the voice of nostalgia (2007)The living, the dead, and the immanent (2016)Playing to the Crowd (2019)Thinking Beyond Humanitarian Borders (2016)Institutioning: Participatory Design, Co-Design and the public realm (2017)The Anthropology of the Future (2019)
this work references cited by second hop

References

  • 2010Dissensus: On Politics and Aesthetics2,419 cited
  • 2003The Audible Past1,821 cited
  • 1994The Senses Still: Perception And Memory As Material Culture In Modernity733 cited
  • 2003Bravo for the Marshallese : Regaining Control in a Post-Nuclear, Post-Colonial World197 cited
  • 2005Real country: music and language in working-class culture196 cited

Cited by

  • 2019The Nuclear Sensorium: Cold War Nuclear Imperialism and Sensory Violence28 cited
  • 2020Attending to the Nightingale: On a Multispecies Ethnomusicology20 cited
  • 2020Did Music Cause the End of the World?17 cited
  • 2021Radiation Sounds5 cited
  • 2016Vocal Ability and Musical Performances of Nuclear Damages in the Marshall Islands3 cited

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