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Giuseppe Bartolomeo Chiari—who was an assistant to Carlo Maratta, a Principe of the Accademia di San Luca, and an artist frequently patronized by the pope and the nobility—is one of the representative figures of the Roman art world of the period about 1700. In spite of this, however, no monograph has yet been written about him.
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Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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