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Present-Day Kutiyattam: G. Venu's Radical and Reactionary Sanskrit Theatre
9 references·0 citing·24 second hop
Present-Day Kutiyattam: G. Venu's Radical and Reactionary Sanskrit Theatre (2007)Present-Day Kutiyattam: G. Venu's Radical…Over-Ritualization of Performance: Western Discourses on Kutiyattam (2006)Over-Ritualization of Perform…Kathakali Dance-Drama (2003)Kathakali Dance-DramaThe politics of cultural practice: thinking through theatre in an age of globalization (2001)The politics of cultural prac…Kathakali dance-drama: where gods and demons come to play (2000)Kathakali dance-drama: where …Indian theatre: traditions of performance (1991)Indian theatre: traditions of…"Theatre of Roots": Encounter with Tradition (1989)"Theatre of Roots": Encounter…Theater of Memory: The Plays of Kalidasa (1984)Theater of Memory: The Plays …The wondrous crest-jewel in performance : text and translation of the Āścaryacūḍāmaṇi of Saktibhadra with the production manual from the tradition of Kūṭiyāṭṭam, Sanskrit drama (1984)The wondrous crest-jewel in p…Traditional Indian Theatre, Multiple Streams (1983)Traditional Indian Theatre, M…The Rites Of Passage (1961)The Ritual Process: Structure and Anti-Structure (1976)Ritual Theory, Ritual Practice (1993)Voices on the Ground: Kutiyattam, UNESCO, and the Heritage of Humanity (2015)Caste-based Oppression, Trauma and Collective Victimhood in Erstwhile South India: The Collective Therapeutic Potential of Theyyam (2019)Toward a Topography of Cross-Cultural Theatre Praxis (2002)Contemporary Black and Asian Women Playwrights in Britain (2003)Musical Performance in the Diaspora: Introduction (2007)Toward a Phenomenological Model of the Actor's Embodied Modes of Experience (2004)An Enactive Approach to Understanding Acting (2007)Movement training for the modern actor (2009)Badal Sircar: Scripting a Movement (2004)Modernity, Postcolonialism, and Theatrical Form in Uzbekistan (2005)Shakespeare and World Cinema (2012)Diaspora, Nation, and the Failure of Home: Two Contemporary Indian Plays (1998)Consciousness in performance. A Javanese theory* (2007)Kalbeliya Dance from Rajasthan: Invented Gypsy Form or Traditional Snake Charmers’ Folk Dance? (2017)Embodying the Lion's ‘fury’ (2000)KalariandKalarippayattuof Kerala, South India: nexus of the celestial, the corporeal, and the terrestrial (2010)Musicians and the politics of dignity in South India (2013)Aristotle's Poetics , Bharatamuni's Natyasastra , and Zeami's Treatises: Theory as Discourse (2000)The Power of a Poet (2011)Philology in three dimensions (2014)Temple rites and temple servants: Religion’s role in the survival of Kerala’s Kū;ṭiyāṭṭam drama tradition (1997)
this work references cited by second hop

References

  • 2001The politics of cultural practice: thinking through theatre in an age of globalization198 cited
  • 2000Kathakali dance-drama: where gods and demons come to play70 cited
  • 1991Indian theatre: traditions of performance44 cited
  • 1989"Theatre of Roots": Encounter with Tradition31 cited
  • 1984Theater of Memory: The Plays of Kalidasa26 cited
  • 2003Kathakali Dance-Drama24 cited
  • 1983Traditional Indian Theatre, Multiple Streams20 cited
  • 1984The wondrous crest-jewel in performance : text and translation of the Āścaryacūḍāmaṇi of Saktibhadra with the production manual from the tradition of Kūṭiyāṭṭam, Sanskrit drama12 cited
  • 2006Over-Ritualization of Performance: Western Discourses on Kutiyattam11 cited

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