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On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections
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On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections (1986)On Sonority in Fourteenth-Century Polypho…The Motet in the Late Middle Ages (2023)The Motet in the Late Middle …The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis (2023)The Motet Collection of San L…The Fourteenth-Century Italian Motet (2023)The Fourteenth-Century Italia…Fauvel and Marigny: Which Came First? (2023)Fauvel and Marigny: Which Cam…Octave-generalized analysis of chord progressions: Diatonic/fifth relations, missing fundamentals, completion tones (2020)Octave-generalized analysis o…Music and the moderni, 1300–1350 (2018)Music and the moderni, 1300–1…Consonance and prevalence of sonorities in Western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity (2018)Consonance and prevalence of …Finding Fortune in Motet 13: insights on ordering and borrowing in Machaut's motets (2017)Finding Fortune in Motet 13: …God, Desire, and Musical Narrative in the Isorhythmic Motet (2013)God, Desire, and Musical Narr…Reading and Theorizing Medieval Music Theory: Interpretation and Its Contexts (2011)Reading and Theorizing Mediev…Rehearing Machaut's Motets (2010)Rehearing Machaut's Motets"Messy Structure"? Multiple Tonal Centers in the Music of Machaut (2008)"Messy Structure"? Multiple T…Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics (2005)Schenkerian Theory in the Uni…Theorizing the Cadence in the Music of Machaut (2003)Theorizing the Cadence in the…Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony (1998)Voice Function, Sonority, and…Modal discourse and fourteenth-century French song: A ‘medieval’ perspective recovered? (1998)Modal discourse and fourteent…Studies on the Origin of Harmonic Tonality (1992)Tendencies and Resolutions: The Directed Progression in "Ars Nova" Music (1992)The manuscript Ivrea, Biblioteca capitolare 115: Studies in the transmission and composition of Ars Nova polyphony (1997)Johannes de Grocheio on secular music: a corrected text and a new translation (1993)"The Imperfect Seeks Its Perfection": Harmonic Progression, Directed Motion, and Aristotelian Physics (2001)The Grammar of Early Music: Preconditions for Analysis (2014)Discant, Counterpoint, and Harmony (1962)ENCOMPASSING PAST AND PRESENT: QUOTATIONS AND THEIR FUNCTION IN MACHAUT'S MOTETS (2001)The harmonic implications of the non-harmonic tones in the four-part chorales of Johann Sebastian Bach (2013)Words and music in Machaut's Motet 9 (2003)Citation and authority in medieval and Renaissance musical culture : learning from the learned (2005)Conflict, arousal, and curiosity. (1960)The Structure of Scientific Revolutions (1963)The New Grove dictionary of music and musicians (2001)Pitch-class prevalence in plainchant, scale-degree consonance, and the origin of the rising leading tone (2019)Quantum GestART: Identifying and Applying Correlations between Mathematics, Art, and Perceptual Organization (2020)Roughness perception: A multisensory/crossmodal perspective (2022)The Brut, or, The chronicles of England (1960)Medieval Music and the Art of Memory (2005)Renaissance Quarterly (2016)Intelligibility Redux (2017)
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  • 2003Theorizing the Cadence in the Music of Machaut59 cited
  • 1998Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony49 cited
  • 2023Fauvel and Marigny: Which Came First?48 cited
  • 2013God, Desire, and Musical Narrative in the Isorhythmic Motet45 cited
  • 2017Finding Fortune in Motet 13: insights on ordering and borrowing in Machaut's motets45 cited
  • 2023The Fourteenth-Century Italian Motet45 cited
  • 2018Consonance and prevalence of sonorities in Western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity45 cited
  • 2023The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis44 cited
  • 2023The Motet in the Late Middle Ages39 cited
  • 2010Rehearing Machaut's Motets27 cited
  • 2008"Messy Structure"? Multiple Tonal Centers in the Music of Machaut8 cited
  • 1998Modal discourse and fourteenth-century French song: A ‘medieval’ perspective recovered?7 cited
  • 2011Reading and Theorizing Medieval Music Theory: Interpretation and Its Contexts7 cited
  • 2018Music and the moderni, 1300–13505 cited
  • 2005

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Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics
5 cited
  • 2020Octave-generalized analysis of chord progressions: Diatonic/fifth relations, missing fundamentals, completion tones3 cited