Bram Stoker: History, Psychoanalysis and the Gothic

Abstract

Preface Acknowledgements Notes on the Contributors Introduction: Bram Stoker, the Gothic and the Development of Cultural Studies W. Hughes & A. Smith 'Powers Old and New': Stoker's Alliances with Anglo-Irish Gothic A. Milbank Fables of Continuity: Bram Stoker and Medievalism C.C. Simmons Vampiric Arts: Stoker's Defense of Poetry M. Kilgour Sex, History and the Vampire R. Mighall Dracula and the Doctors: Bad Blood, Menstrual Taboo and the New Woman M. Mulvey-Roberts The Alien and the Familiar in The Jewel of Seven Stars and Dracula R. Edwards Exchanging Fantasies: Sex and the Serbian Crisis in The Lady of the Shroud V. Sage Crowning the King, Mourning his Mother: The Jewel of Seven Stars and The Lady of the Shroud L. Hopkins A Crucial Stage in the Writing of Dracula J.S. Bierman Echoes in the Animal House The Lair of the White Worm D. Punter Eruptions of the Primitive into the Present: The Jewel of Seven Stars and The Lair of the White Worm D. Seed Stoker's Counterfeit Gothic: Dracula and Theatricality at the Dawn of Simulation J.E. Hogle Index

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