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Metaphors for Meyerbeer
4 references·2 citing·15 second hop
Metaphors for Meyerbeer (2002)Metaphors for MeyerbeerCastil-Blaze, De L’Opera en France, and the Feuilletons of the Journal des Debats (1820-1832) (2008)Castil-Blaze, De L’Opera en F…A Dilettante at the Opera: Issues in the Criticism of Julien-Louis Geoffroy, 1800-1814 (2001)A Dilettante at the Opera: Is…The Urbanization of Opera: Music Theater in Paris in the Nineteenth Century (1999)The Urbanization of Opera: Mu…French Grand Opera. an Art and a Business (1948)French Grand Opera. an Art an…On Microscopic Hearing: Fairy Magic, Natural Science, and the Scherzo fantastique (2011)On Microscopic Hearing: Fairy…Back to (the music of) the future: Aesthetics of technology in Berlioz'sEuphoniaandDamnation de Faust (2010)Back to (the music of) the fu…College Music Symposium (1962)Instruments and the Imagination (1998)Strange and secret peoples: fairies and Victorian consciousness (1999)TIME, WORK-DISCIPLINE, AND INDUSTRIAL CAPITALISM (1967)Visual Pleasure and Narrative Cinema (1975)The science question in feminism (1987)Grand Opéra vor Gericht (1993)Frederick Gye and "The Dreadful Business of Opera Management" (1995)Gilbert-Louis Duprez and Gustave Roger in the composition of Meyerbeer's Le Prophète (1996)Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Music Criticism in Norway (2019)Stop the Press? The Changing Media of Music Criticism (2019)The Cambridge Companion to Opera Studies (2012)The Cambridge Companion to French Music (2015)Liszt and the Symphonic Poem (2017)
this work references cited by second hop

References

  • 1999The Urbanization of Opera: Music Theater in Paris in the Nineteenth Century99 cited
  • 2001A Dilettante at the Opera: Issues in the Criticism of Julien-Louis Geoffroy, 1800-181442 cited
  • 2008Castil-Blaze, De L’Opera en France, and the Feuilletons of the Journal des Debats (1820-1832)37 cited
  • 1948French Grand Opera. an Art and a Business23 cited

Cited by

  • 2011On Microscopic Hearing: Fairy Magic, Natural Science, and the Scherzo fantastique10 cited
  • 2010Back to (the music of) the future: Aesthetics of technology in Berlioz'sEuphoniaandDamnation de Faust3 cited

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