The Stagecraft of Aeschylus: The Dramatic Use of Exits and Entrances in Greek TragedyDavid Sider, Oliver Taplin1979-01-01articleThe American Journal of Philology288 citationsclosedNo readable copy stored yet — this record is metadata only.Classical Antiquity StudiesTheatre and Performance StudiesClassical Studies and PhilologyAbstractNo abstract was published for this record.Citations in this libraryStored only when both papers are in the corpus — 288 citations exist upstream.Cited by2009The ancient critic at work: terms and concepts of literary criticism in Greek scholia2006The competence of theatre audiences in fifth- and fourth-century Athens2008The Cambridge Introduction to Theatre Studies2006Performance and Identity in the Classical World2019Cassandra and the Poetics of Prophecy in Greek and Latin Literature2015Costume in the Comedies of Aristophanes2003The Passions in Play: Thyestes and the Dynamics of Senecan Drama1999Some Fifth-Century Masking Conventions