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BOOK REVIEW:Katherine J. Hagedorn. DIVINE UTTERANCES: THE PERFORMANCE OF AFRO-CUBAN SANTER�A. Washington: Smithsonian Institution P
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Cited by

  • 2007VERSIONS OF THE DEAD:Kalunga, Cuban-Kongo Materiality, and Ethnography53 cited
  • 2006Embodied Matters:Bolivian Fantasyand Indigenismo50 cited
  • 2012Sound, Music, and the Study of Religion42 cited
  • 2006Afro-Latin Studies31 cited
  • 2010Spiritist Boundary-Work and the Morality of Materiality in Afro-Cuban Religion29 cited
  • 2010Contemporary “Latin American” Composers of Art Music in the United States: Cosmopolitans Navigating Multiculturalism and Universalism25 cited
  • 2006Arsenio Rodríguez and the Transnational Flows of Latin Popular Music22 cited
  • 2009On the Margins of Reality: Fiction, Documentary, and Marginal Subjectivity in Three Early Cuban Revolutionary Films22 cited
  • 2012The AndeanConjunto, BolivianSikureadaand the Folkloric Musical Representation Continuum16 cited
  • 2013African traditional religions in the Caribbean and Brazil: models of religious tourism and impacts of commodification6 cited

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