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Characterisation and reproduction of yellow pigments used in central Italy for decorating ceramics during Renaissance
7 references·2 citing·33 second hop
Characterisation and reproduction of yellow pigments used in central Italy for decorating ceramics during Renaissance (2006)Characterisation and reproduction of yell…The production and technology of glazed ceramics from the middle ages, found in the saepinum territory (Italy): a multimethodic approach* (2004)The production and technology…Technological study of ancient ceramics produced in Casteldurante (central Italy) during the Renaissance (2004)Technological study of ancien…Spectroscopic investigation of yellow majolica glazes (2003)Spectroscopic investigation o…How the masters in Umbria, Italy, generated and used nanoparticles in art fabrication during the Renaissance period (2003)How the masters in Umbria, It…The use and origin of antimonate colorants in early Egyptian glass* (2002)The use and origin of antimon…Characterization of Brown-Black and Blue Pigments in Glazed Pottery Fragments from Castel Fiorentino (Foggia, Italy) by Raman Microscopy, X-Ray Powder Diffractometry and X-Ray Photoelectron Spectroscopy (1997)Characterization of Brown-Bla…Abū'l-Qāsim's Treatise on Ceramics (1973)Abū'l-Qāsim's Treatise on Cer…Technological evolution of ceramic glazes in the renaissance: In situ analysis of tiles in the Alcazar (Seville, Spain) (2018)Technological evolution of ce…Non-destructive identification of green and yellow pigments: the case of some Sicilian Renaissance glazed pottery (2010)Non-destructive identificatio…Ancient Egypt: Anatomy of a Civilization (1990)Ancient Egyptian materials and technology (2000)Archaeometry and materiality: materials‐based analysis in theory and practice* (2004)Role of laser ablation–inductively coupled plasma–mass spectrometry in cultural heritage research: A review (2009)Ancient glass: from kaleidoscope to crystal ball (2015)THE BEGINNINGS OF TIN‐OPACIFICATION OF POTTERY GLAZES (1997)LEAD GLAZES IN ANTIQUITY—METHODS OF PRODUCTION AND REASONS FOR USE* (1998)An approach to the dynamics of clay firing (1999)Characterization of pottery fragments by nondestructive neutron diffraction (2005)Archaeometric characterization of Terra Sigillata Hispanica from Granada workshops (2010)Islamic and post Islamic ceramics from the town of Santarém (Portugal): The continuity of ceramic technology in a transforming society (2019)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)RBS, PIXE, Ion-Microbeam and SR-FTIR Analyses of Pottery Fragments from Azerbaijan (2019)Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass (1996)Gold like lustre: Nanometric surface treatment for decoration of glazed ceramics in ancient Islam, Moresque Spain and Renaissance Italy (2005)Archaeometric characterization of 17th-century tin-glazed Anabaptist (Hutterite) faience artefacts from North-East-Hungary (2014)Spectroscopy of 16th century Portuguese tin-glazed earthenware produced in the region of Lisbon (2015)Synthesis, structural characterisation and Raman spectroscopy of the inorganic pigments lead tin yellow types I and II and lead antimonate yellow: their identification on medieval paintings and manuscripts (1995)Differentiation of antique ceramics from the Raman spectra of their coloured glazes and paintings (2001)Heterogeneous distribution of metal nanocrystals in glazes of historical pottery (2002)Microanalytical identification of Pb-Sb-Sn yellow pigment in historical European paintings and its differentiation from lead tin and Naples yellows (2007)Raman scattering features of lead pyroantimonate compounds: implication for the non‐invasive identification of yellow pigments on ancient ceramics. Part II. In situ characterisation of Renaissance plates by portable micro‐Raman and XRF studies (2010)The Destructive/Non-Destructive Identification of Enameled Pottery, Glass Artifacts and Associated Pigments—A Brief Overview (2013)THE ‘DELLA ROBBIA BLUE’: A CASE STUDY FOR THE USE OF COBALT PIGMENTS IN CERAMICS DURING THE ITALIAN RENAISSANCE* (2006)DISCOVERY, PRODUCTION AND USE OF TIN‐BASED OPACIFIERS IN GLASSES, ENAMELS AND GLAZES FROM THE LATE IRON AGE ONWARDS: A REASSESSMENT* (2007)A portable instrument for in situ determination of the chemical and phase compositions of cultural heritage objects (2008)Raman microscopy: sensitive probe of pigments on manuscripts, paintings and other artefacts (1999)A multianalytical study of archaeological faience from the Vesuvian area as a valid tool to investigate provenance and technological features (2011)Micro-Raman spectral identification of manganese oxides black pigments in an archaeological context in Northern Chile (2015)Silver and copper nanoclusters in the lustre decoration of Italian Renaissance pottery: an EXAFS study (2004)Nanoparticles in Ancient Materials: The Metallic Lustre Decorations of Medieval Ceramics (2012)Art on the Nanoscale and Beyond (2015)Southern African glass beads: chemistry, glass sources and patterns of trade (2010)
this work references cited by second hop

References

  • 2002The use and origin of antimonate colorants in early Egyptian glass*198 cited
  • 1973Abū'l-Qāsim's Treatise on Ceramics164 cited
  • 2003Spectroscopic investigation of yellow majolica glazes90 cited
  • 2003How the masters in Umbria, Italy, generated and used nanoparticles in art fabrication during the Renaissance period71 cited
  • 1997Characterization of Brown-Black and Blue Pigments in Glazed Pottery Fragments from Castel Fiorentino (Foggia, Italy) by Raman Microscopy, X-Ray Powder Diffractometry and X-Ray Photoelectron Spectroscopy52 cited
  • 2004Technological study of ancient ceramics produced in Casteldurante (central Italy) during the Renaissance23 cited
  • 2004The production and technology of glazed ceramics from the middle ages, found in the saepinum territory (Italy): a multimethodic approach*22 cited

Cited by

  • 2010Non-destructive identification of green and yellow pigments: the case of some Sicilian Renaissance glazed pottery13 cited
  • 2018Technological evolution of ceramic glazes in the renaissance: In situ analysis of tiles in the Alcazar (Seville, Spain)10 cited

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