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Tempo, duration, and flexibility: Techniques in the analysis of performance
12 references·10 citing·23 second hop
Tempo, duration, and flexibility: Techniques in the analysis of performance (1996)Tempo, duration, and flexibility: Techniq…The Practice of Performance: Studies in Musical Interpretation (1997)The Practice of Performance: …Text and Act: Essays on Music and Performance (1996)Text and Act: Essays on Music…Text and act: essays on music and performance (1996)Text and act: essays on music…Stolen Time: The History of Tempo Rubato (1995)Stolen Time: The History of T…Stolen time: the history of tempo rubato (1995)Stolen time: the history of t…The History of Remembered Innovation: Tradition and Its Role in the Relationship between Musical Works and Their Performances (1993)The History of Remembered Inn…Early recordings and musical style: changing tastes in instrumental performance, 1900-1950 (1993)Early recordings and musical …Early Recordings and Musical Style (1992)Early Recordings and Musical …Authenticity and early music: a symposium (1989)Authenticity and early music:…The Work of Music and the Problem of Its Identity (1986)The Work of Music and the Pro…Languages of Art (1976)Languages of ArtLanguages of Art (1968)Languages of ArtVelocity and Virtuosity: An Empirical Investigation of Basic Tempo in Contemporary Performances of Two Large-scale Works of Chopin and Liszt (2023)Velocity and Virtuosity: An E…‘Irrational Nuances’: Interpreting Stockhausen's Klavierstück I (2022)‘Irrational Nuances’: Interpr…Historical Trends in Expressive Timing Strategies: Chopin's Etude, Op. 25 no. 1 (2021)Historical Trends in Expressi…Musikkfilosofiske tekster. Tanker om musikk og språk, tolkning, erfaring, tid, klang, stillhet m.m. (2020)Musikkfilosofiske tekster. Ta…Flow (2019)FlowSinging Herself: Adelina Patti and the Performance of Femininity (2018)Singing Herself: Adelina Patt…Who Plays the Tune in “Body and Soul”? A Performance History Using Recorded Sources (2015)Who Plays the Tune in “Body a…Commercial Sound Recordings and Trends in Expressive Music Performance (2014)Commercial Sound Recordings a…Playing with Tradition: Weighing up Similarity and the Buoyancy of the Game (2010)Playing with Tradition: Weigh…"Rigoroso (♪ = 126)": "The Rite of Spring" and the Forging of a Modernist Performing Style (1999)"Rigoroso (♪ = 126)": "The Ri…Mimesis: The Representation of Reality in Western Literature (1953)Story and Discourse: Narrative Structure in Fiction and Film (1979)The Dialogic Imagination: Four Essays (1981)Improvisation and Social Aesthetics (2017)Music, Mediation Theories and Actor-Network Theory (2018)“To Play as if from the Soul of the Composer”: The Idea of the Performer in Early Romantic Aesthetics (2005)The Schenker Project (2007)Class, Control, and Classical Music (2019)The Cambridge History of Literary Criticism (1995)Virtuosity and the Musical Work (2003)Musicology as a Political Act (1993)The Cambridge Companion to Medievalism (2016)Computation and cognition: issues in the foundations of cognitive science (1980)Learning with Media (1991)Will media influence learning? Reframing the debate (1994)Between Process and Product (2001)Reviving the Golden Age Again:“Classicization,” Hindustani Music, and the Mughals (2010)Vocal performance in the seventeenth century (2012)The End of Early Music (2007)Classical music as enforced Utopia (2016)The Cambridge History of Musical Performance (2012)Beyond Compare: Metaphor In Organization Theory (2005)Loving Music Till It Hurts (2019)
this work references cited by second hop

References

  • 1976Languages of Art1,596 cited
  • 1968Languages of Art1,175 cited
  • 1996Text and act: essays on music and performance331 cited
  • 1986The Work of Music and the Problem of Its Identity196 cited
  • 1992Early Recordings and Musical Style196 cited
  • 1996Text and Act: Essays on Music and Performance190 cited
  • 1993Early recordings and musical style: changing tastes in instrumental performance, 1900-1950161 cited
  • 1989Authenticity and early music: a symposium150 cited
  • 1993The History of Remembered Innovation: Tradition and Its Role in the Relationship between Musical Works and Their Performances131 cited
  • 1995Stolen time: the history of tempo rubato110 cited
  • 1995Stolen Time: The History of Tempo Rubato81 cited
  • 1997The Practice of Performance: Studies in Musical Interpretation80 cited

Cited by

  • 1999"Rigoroso (♪ = 126)": "The Rite of Spring" and the Forging of a Modernist Performing Style61 cited
  • 2019Flow50 cited
  • 2018Singing Herself: Adelina Patti and the Performance of Femininity36 cited
  • 2015Who Plays the Tune in “Body and Soul”? A Performance History Using Recorded Sources

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22 cited
  • 2020Musikkfilosofiske tekster. Tanker om musikk og språk, tolkning, erfaring, tid, klang, stillhet m.m.8 cited
  • 2010Playing with Tradition: Weighing up Similarity and the Buoyancy of the Game6 cited
  • 2014Commercial Sound Recordings and Trends in Expressive Music Performance6 cited
  • 2022‘Irrational Nuances’: Interpreting Stockhausen's Klavierstück I4 cited
  • 2023Velocity and Virtuosity: An Empirical Investigation of Basic Tempo in Contemporary Performances of Two Large-scale Works of Chopin and Liszt4 cited
  • 2021Historical Trends in Expressive Timing Strategies: Chopin's Etude, Op. 25 no. 13 cited