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Funk music as genre: Black aesthetics, apocalyptic thinking and urban protest in post-1965 African-American pop
16 references·6 citing·27 second hop
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this work references cited by second hop

References

  • 1989Contingency, Irony, and Solidarity6,866 cited
  • 201558. Contingency, Irony and Solidarity3,724 cited
  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 1987'There ain't no black in the Union Jack' : the cultural politics of race and nation2,609 cited
  • 1982The Political Unconscious: Narrative as a Socially Symbolic Act2,446 cited
  • 1982The Political Unconscious. Narrative as a Socially Symbolic Act.2,019 cited
  • 1988Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist1,383 cited
  • 1987Heavenly Bodies: Film Stars and Society1,114 cited
  • 1984Blues, Ideology, and Afro-American Literature1,062 cited
  • 1990No Respect: Intellectuals and Popular Culture927 cited
  • 1989The Signifying Monkey: A Theory of Afro-American Literary Criticism798 cited
  • 1990On Record: Rock, Pop and the Written Word755 cited
  • 1982Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll.674 cited
  • 1989Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist626 cited
  • 1991Time Passages: Collective Memory and American Popular Culture.417 cited

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  • 1983Flash of the Spirit: African and Afro-American Art and Philosophy390 cited
  • Cited by

    • 2010Language in Action: Funk Music as the Critical Voice of a Post–Civil Rights Movement Counterculture30 cited
    • 2000The Emotional and Intellectual Aspects of Protest Music19 cited
    • 2010The Jazz Image13 cited
    • 2024Embodied Expression in Popular Music7 cited
    • 2005Spectacle, Masculinity, and Music in Blaxploitation Cinema6 cited
    • 2009“When I Count to Four …”: James Brown, Kraftwerk, and the Practice of Musical Time Keeping before Techno4 cited