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Playford, Purcell, and the Functions of Music Publishing in Restoration England
6 references·6 citing·29 second hop
Playford, Purcell, and the Functions of Music Publishing in Restoration England (2010)Playford, Purcell, and the Functions of M…The Nature of the Book: Print and Knowledge in the Making (2000)The Nature of the Book: Print…MUSIC COPYRIGHT IN BRITAIN TO 1800 (1986)MUSIC COPYRIGHT IN BRITAIN TO…Henry Purcell and the London Stage (1985)Henry Purcell and the London …John Playford and the Metrical Psalms (1972)John Playford and the Metrica…Pierre Attaingnant, Royal Printer of Music, a Historical Study and Bibliographical Catalogue (1971)Pierre Attaingnant, Royal Pri…The Stigma of Print (1951)The Stigma of PrintStop the Press? The Changing Media of Music Criticism (2019)Stop the Press? The Changing …Music Criticism in Norway (2019)Music Criticism in NorwayCritiquing the Canon: The Role of Criticism in Canon Formation (2019)Critiquing the Canon: The Rol…Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century (2019)Constructing a Musical Nation…The Intermedial Dramaturgy of Dramatick Opera: Understanding Genre through Performance (2018)The Intermedial Dramaturgy of…‘YONG BEGINNERS, WHO LIVE IN THE COUNTREY’: JOHN PLAYFORD AND THE PRINTED MUSIC MARKET IN SEVENTEENTH-CENTURY ENGLAND (2016)‘YONG BEGINNERS, WHO LIVE IN …The Stationers' Company: A History, 1403-1959. (1961)The Latin trade (2002)The stationers and the printing acts at the end of the seventeenth century (2002)The Cambridge History of Music Criticism (2019)Society and Culture in Early Modern France (1975)The Nature of the Book (1998)The Nature of the Book: Print and Knowledge in the Making (1999)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Always already new: media, history, and the data of culture (2007)Performing remains art and war in times of theatrical reenactment (2011)Distinction. A Social Critique of the Judgement of Taste (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Oxford Dictionary of National Biography (2004)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Anthropology, Interviewing, and Communicability in Contemporary Society (2007)Books to be practiced: Memory, the power of the visual, and the success of accounting (2008)Attitudes to vaccination: A critical review (2014)Eighteenth-century women poets (2005)The Cambridge History of English Literature, 1660–1780 (2005)The social world of authorship 1660–1714 (2005)Italian Opera and Arson in Late Eighteenth-Century London (1989)The Cambridge History of the Book in Britain (2009)Towards a bibliometric analysis of the surviving record, 1701–1800 (2009)Anonymity and Authorship (1999)The Cambridge History of the Book in Britain (2002)Literature and London (2003)The Venetian privilege and music-printing in the sixteenth century (1983)CENTRE AND PERIPHERY IN THE EUROPEAN BOOK WORLD (2008)The Cambridge Companion to French Music (2015)
this work references cited by second hop

References

  • 1951The Stigma of Print232 cited
  • 2000The Nature of the Book: Print and Knowledge in the Making181 cited
  • 1985Henry Purcell and the London Stage104 cited
  • 1986MUSIC COPYRIGHT IN BRITAIN TO 180095 cited
  • 1972John Playford and the Metrical Psalms94 cited
  • 1971Pierre Attaingnant, Royal Printer of Music, a Historical Study and Bibliographical Catalogue60 cited

Cited by

  • 2016‘YONG BEGINNERS, WHO LIVE IN THE COUNTREY’: JOHN PLAYFORD AND THE PRINTED MUSIC MARKET IN SEVENTEENTH-CENTURY ENGLAND42 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2018The Intermedial Dramaturgy of Dramatick Opera: Understanding Genre through Performance4 cited
  • 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
  • 2019Music Criticism in Norway3 cited
  • 2019Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century3 cited

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