References

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Cited by

• 2004Coming Attractions: Reading American Movie Trailers137 cited
• 1994Heroes and Misfits: The Troubled Social Reintegration of Disabled Veterans in "The Best Years of Our Lives"65 cited
• 1993"The Kinda Comedy That Imitates Me": Mae West's Identification with the Feminist Camp58 cited
• 1995The genesis of the production code31 cited
• 1998Repellent Subjects: Hollywood Censorship and Surgical Images in the 1930s27 cited
• 2008A Foreign Affair : Billy Wilder's American Films20 cited
• 2005Some Like It Cold: Fetishism in Billy Wilder's Double Indemnity19 cited
• 2008A short history of film15 cited
• 1995The Cinderella Princess and the Instrument of Evil: Surveying the Limits of Female Transgression in Two Postwar Hollywood Scandals14 cited
• 1990Race, sex, and servitude: Images of blacks in American cinema13 cited
• 1994The PRODUCTION CODE Under New Management: Geoffrey Shurlock, The Bad Seed, and Tea and Sympathy10 cited
• 2005Public Enemies, Local Heroes: The Irish-American Gangster Film in Classic Hollywood Cinema8 cited
• 1995The Censoring of Rebel Without a Cause7 cited
• 1997A Damned Nuisance: The Production Code and the Profanity Amendment of 1954