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Chicano Rap Roots: Black-Brown Cultural Exchange and the Making of a Genre
16 references·3 citing·32 second hop
Chicano Rap Roots: Black-Brown Cultural Exchange and the Making of a Genre (2006)Chicano Rap Roots: Black-Brown Cultural E…City of Quartz: Excavating the Future in Los Angeles (2008)City of Quartz: Excavating th…The games black girls play: learning the ropes from double-Dutch to hip-hop (2006)The games black girls play: l…The Chicana/o Cultural Studies Reader (2006)The Chicana/o Cultural Studie…New York Ricans from the Hip Hop Zone (2003)New York Ricans from the Hip …Nigger: the strange career of a troublesome word (2002)Nigger: the strange career of…Decolonial voices: Chicana and Chicano cultural studies in the 21st Century (2002)Decolonial voices: Chicana an…Rhyme and reason (1998)Rhyme and reasonMexico Profundo: Reclaiming a Civilization (1998)Mexico Profundo: Reclaiming a…Droppin' science : critical essays on rap music and hip hop culture (1996)Droppin' science : critical e…American Indian ethnic renewal: Red power and the resurgence of identity and culture (1996)American Indian ethnic renewa…Race rebels: culture, politics, and the black working class (1995)Race rebels: culture, politic…It's Not About a Salary...: Rap, Race, and Resistance in Los Angeles (1995)It's Not About a Salary...: R…Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…In the Barrios: Latinos and the Underclass Debate. (1994)In the Barrios: Latinos and t…Barrio Rhythm: Mexican American Music in Los Angeles (1994)Barrio Rhythm: Mexican Americ…Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom (1978)Black Culture and Black Consc…Y yo soy cubano, and I’m impatient (2017)Y yo soy cubano, and I’m impa…The Journey of “Viva Tirado”: A Musical Conversation within Afro-Chicano Los Angeles (2010)The Journey of “Viva Tirado”:…Singapore Takes the ‘Bad’ Rap: A State-Produced Music Video Goes ‘Viral’ (2009)Singapore Takes the ‘Bad’ Rap…No Respect: Intellectuals and Popular Culture (1990)Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. (1996)GLOBAL BLACK SELF-FASHIONINGS: HIP HOP AS DIASPORIC SPACE (2008)Affiliation and alienation: hip‐hop, rap, and urban science education (2009)Global Ill-Literacies (2011)Rethinking Agency and Resistance: What Comes After Girl Power? (2009)White Teachers in Urban Classrooms (2013)Towards a Model of Positive Youth Development Specific to Girls of Color: Perspectives on Development, Resilience, and Empowerment (2016)''Black'' Cultural Capital, Status Positioning, and Schooling Conflicts for Low-Income African American Youth (2003)Race and Epistemologies of Ignorance (2007)Participatory Design Research and Educational Justice: Studying Learning and Relations Within Social Change Making (2016)Niggers no more: a critical race counternarrative on Black male student achievement at predominantly White colleges and universities (2009)How to do things with slurs: Studies in the way of derogatory words (2013)The cost of racial animus on a black candidate: Evidence using Google search data (2014)Church Culture as a Strategy of Action in the Black Community (1998)Positionality of African Americans and a theoretical accommodation of it: Rethinking science education research (2008)The invisible weight of whiteness: the racial grammar of everyday life in contemporary America (2011)The Cultural Economy of Cities (1997)Living with difference: reflections on geographies of encounter (2008)The 21st-Century Metropolis: New Geographies of Theory (2008)Popular Culture as Oppositional Culture: Rap as Resistance (1997)‘Represent’: race, space and place in rap music (2000)Deadly Symbiosis (2001)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Musicking: The Meanings of Performing and Listening (2000)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)Masculinity and nationalism: gender and sexuality in the making of nations (1998)An Organizing Framework for Collective Identity: Articulation and Significance of Multidimensionality. (2004)Being Indigenous: Resurgences against Contemporary Colonialism (2005)Language, Discourse and Power in African American Culture (2002)Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music (2005)Muslim networks from Hajj to hip hop (2005)
this work references cited by second hop

References

  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
  • 1995Race rebels: culture, politics, and the black working class1,384 cited
  • 2008City of Quartz: Excavating the Future in Los Angeles1,358 cited
  • 1978Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom602 cited
  • 1996Droppin' science : critical essays on rap music and hip hop culture386 cited
  • 2003New York Ricans from the Hip Hop Zone375 cited
  • 1996American Indian ethnic renewal: Red power and the resurgence of identity and culture310 cited
  • 2002Nigger: the strange career of a troublesome word258 cited
  • 1995It's Not About a Salary...: Rap, Race, and Resistance in Los Angeles241 cited
  • 2006The games black girls play: learning the ropes from double-Dutch to hip-hop239 cited
  • 1998Mexico Profundo: Reclaiming a Civilization177 cited
  • 1994In the Barrios: Latinos and the Underclass Debate.177 cited
  • 2002Decolonial voices: Chicana and Chicano cultural studies in the 21st Century128 cited
  • 2006The Chicana/o Cultural Studies Reader97 cited
  • 1998Rhyme and reason69 cited

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1994
Barrio Rhythm: Mexican American Music in Los Angeles
28 cited

Cited by

  • 2010The Journey of “Viva Tirado”: A Musical Conversation within Afro-Chicano Los Angeles17 cited
  • 2009Singapore Takes the ‘Bad’ Rap: A State-Produced Music Video Goes ‘Viral’7 cited
  • 2017Y yo soy cubano, and I’m impatient5 cited