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This article analyzes a perspective of audiovisual research supported by the study of the relationship between film industry, culture and history, to understand the construction and use being made by the contemporary societies within complex historical processes, in specific modes of representation and cinematic codification, linked to cultural and esthetic models depending on broader ideological systems.
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Stored only when both papers are in the corpus — 6 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.