SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Chopin: The Man and His Music
0 references·9 citing·25 second hop
Chopin: The Man and His Music (1901)Chopin: The Man and His MusicTranslating musical meaning (2023)Translating musical meaningThe (f)utility of performance analysis (2023)The (f)utility of performance…Music in Profile (2023)Music in ProfileFREDERİC CHOPİN’İN MİNYATÜRLERİNDE MAZURKALAR (2021)FREDERİC CHOPİN’İN MİNYATÜRLE…After Silence, That Which Comes Nearest (2017)After Silence, That Which Com…The Impact of the Development of the Fortepiano on the Repertoire Composed for It From 1760–1860 (2012)The Impact of the Development…A performer's creative processes: implications for teaching and learning musical interpretation (2008)A performer's creative proces…Chopin and His Imitators: Notated Emulations of the "True Style" of Performance (2000)Chopin and His Imitators: Not…The Harmony of the Tea Table: Gender and Ideology in the Piano Nocturne (1992)The Harmony of the Tea Table:…The Cambridge Companion to Chopin (1992)Piano roles: three hundred years of life with the piano (2000)Beyond the Sonata Principle (2002)Franz Liszt: The Virtuoso Years, 1811–1847 (1985)Chopin: Pianist and Teacher as Seen by His Pupils (1987)The Rhetoric of Genre: Chopin's Nocturne in G Minor (1988)Technologies of Gender (1987)Essentially Speaking: Feminism, Nature and Difference (1991)Feminine Endings: Music, Gender, and Sexuality (1992)Music and Sexuality: On the Steblin/Solomon Debate (1993)Women in Music, Feminist Criticism, and Guerrilla Musicology: Reflections on Recent Polemics (1993)Ironic Narrative, Ironic Reading (2009)Case Study Research: Design and Methods (1984)Naturalistic inquiry (1985)Measuring distinct types of musical self-efficacy (2010)Case study research: design and methods (2011)The conditions for learning musical interpretation in one-to-one piano tuition in higher music education (2020)Empowering piano students of Western classical music: challenging teaching and learning of musical interpretation in higher education (2022)Classic Music: Expression, Form, and Style (1981)On Heroes, Hero-Worship, and the Heroic in History (2019)On Heroes, Hero-Worship, and the Heroic in History (2019)Technologies of the self: a seminar with Michel Foucault (1988)The Narrative Construction of Reality (1991)Autoethnography: An Overview (2010)Performing Knowledge (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2008A performer's creative processes: implications for teaching and learning musical interpretation58 cited
  • 1992The Harmony of the Tea Table: Gender and Ideology in the Piano Nocturne33 cited
  • 2023Translating musical meaning19 cited
  • 2023Music in Profile7 cited
  • 2000Chopin and His Imitators: Notated Emulations of the "True Style" of Performance4 cited
  • 2023The (f)utility of performance analysis4 cited
  • 2021FREDERİC CHOPİN’İN MİNYATÜRLERİNDE MAZURKALAR3 cited
  • 2017After Silence, That Which Comes Nearest2 cited
  • 2012The Impact of the Development of the Fortepiano on the Repertoire Composed for It From 1760–18602 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work