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Ad vivum, naer het leven, from the life: defining a mode of representation

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References

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Cited by

2006Art, Science, and Visual Culture in Early Modern Europe53 cited
2006Painting as Exploration: Visualizing Nature in Eighteenth-Century Colonial Science*52 cited
2012A “True Likeness”: The Renaissance City Portrait31 cited
2013Talk, script and print: the making of island books in early modern Venice22 cited
2016

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PRINTING EMPIRE: VISUAL CULTURE AND THE IMPERIAL ARCHIVE IN SEVENTEENTH-CENTURY VENICE

16 cited

2008Printing Ritual: The Performance of Community in Christopher Plantin’s La Joyeuse & Magnifique Entrée de Monseigneur Francoys … d’Anjou15 cited

2009Portraying technology in gallery paintings14 cited

2018Frans Floris (1519/20–1570): Imagining a Northern Renaissance10 cited

2011Envisioning Netherlandish Unity: Claes Visscher’s 1612 Copies of the Small Landscape Prints8 cited

2017“Art and Technique Always Balance the Scale”: German Philosophies of Sensory Perception, Taste, and Art Criticism, and the Rise of the TermTechnik, ca. 1735–ca. 18358 cited

2001Models for Science and Craft: Isabella Parasole's Botanical and Lace Illustrations6 cited

2013The world drawn from nature: Imitation and authority in sixteenth-century cartography6 cited

2018Head of Christ3 cited

2006Arts and Minds: Scholarship on Early Modern Art History (Northern Europe)3 cited

2011To Inform and Delight: The Commodification of Travel Images in Amsterdam3 cited

2015The Portrait of the King’s Minister and the State of Collaboration1 cited