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Continuity in Composing the American Cross-Cultural: Eichheim, Cowell, and Japan
16 references·1 citing·32 second hop
Continuity in Composing the American Cross-Cultural: Eichheim, Cowell, and Japan (2008)Continuity in Composing the American Cros…From Kwaidan: Stories and Studies of Strange Things (1904) (2019)From Kwaidan: Stories and Stu…The Shakuhachi as Spiritual Tool: A Japanese Buddhist Instrument in the West' (2016)The Shakuhachi as Spiritual T…The Nature and Origins of Musical Postmodernism (2016)The Nature and Origins of Mus…New Music, New AlliesAmerican Experimental Music in West Germany from the Zero Hour to Reunification (2006)New Music, New AlliesAmerican…Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater (2004)Revealing Masks: Exotic Influ…Driven into Paradise: The Musical Migration from Nazi Germany to the United States (2001)Driven into Paradise: The Mus…American compositional theory in the 1930s: scale and exoticism in ''The Nature of Melody'' by Henry Cowell (2001)American compositional theory…5. Experimental Oriental: New Music and Other Others (2001)5. Experimental Oriental: New…Elizabeth Sprague Coolidge: American patron of music (1999)Elizabeth Sprague Coolidge: A…Transethnicism and the American Experimental Tradition (1996)Transethnicism and the Americ…Evenings on and off the Roof: Pioneering Concerts in Los Angeles, 1939-1971 (1996)Evenings on and off the Roof:…Colin McPhee: composer in two worlds (1991)Colin McPhee: composer in two…Javanese Influence on Debussy's "Fantaisie" and beyond (1986)Javanese Influence on Debussy…Henry Cowell's New Music, 1925-1936: The Society, the Music Editions, and the Recordings (1982)Henry Cowell's New Music, 192…Bela Bartok Essays (1976)Bela Bartok EssaysGlimpses of unfamiliar Japan (1894)Glimpses of unfamiliar JapanIn the Tradition of Dissent (2013)In the Tradition of DissentDebussy; his life and mind. (1965)Music Cultures of the Pacific, the Near East and Asia (1967)Some Instances of Parallel Voice-Leading in Debussy (1987)World Music in Television Ads (2000)Music, Encounter, Togetherness (2024)Global Pop: World Music, World Markets (1998)The New Buddhism: The Western Transformation of an Ancient Tradition (2001)The Body in a State of Music (2007)Spirituality as a Universal Experience of Music (2011)Understanding Japanese Society (2012)Performing, Creating, and Listening to Nature through Music: The Art of Self-Integration (2013)Fritz Reiner, maestro and martinet (2006)Evolutionary Categories and Musical Style from Adler to America (2014)Changing Patterns of Individualism and Collectivism in the United States and Japan (1996)Culture and self: An empirical assessment of Markus and Kitayama’s theory of independent and interdependent self‐construals (1999)Culture and Cultural Worldviews: Do Verbal Descriptions about Culture Reflect Anything Other Than Verbal Descriptions of Culture? (2006)Avant-garde and experimental music (1998)Lou Harrison’s Music for Western Instruments and Gamelan: Even More Western than It Sounds (2008)Playing Off Site: The Untranslation of Onkyô (2010)The Imprisonment of Henry Cowell (1991)"New Music" and the "New Negro": The Background of William Grant Still's "Afro-American Symphony" (1992)Henry Cowell, John Varian, and Halcyon (1993)Writing and Music: Album Liner Notes (2011)Alfred Schnittke’s Triadic Practice (2017)Cuban Music Counterpoints (2023)Art music from 1800 to 1860 (1998)Popular song and popular music on stage and film (1998)Culture, Tourism and Cultural Tourism: Boundaries and frontiers in performances of Balinese music and dance (2001)L’interculturalisme à travers le filtre cognitif : comment Gilles Tremblay recompose le gamelan dans Oralléluiants (2018)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Balance Problems: Neoliberalism and New Music in the American University and Ensemble (2018)
this work references cited by second hop

References

  • 2006New Music, New AlliesAmerican Experimental Music in West Germany from the Zero Hour to Reunification166 cited
  • 1894Glimpses of unfamiliar Japan155 cited
  • 1991Colin McPhee: composer in two worlds75 cited
  • 1982Henry Cowell's New Music, 1925-1936: The Society, the Music Editions, and the Recordings60 cited
  • 2016The Nature and Origins of Musical Postmodernism57 cited
  • 2016The Shakuhachi as Spiritual Tool: A Japanese Buddhist Instrument in the West'51 cited
  • 1986Javanese Influence on Debussy's "Fantaisie" and beyond48 cited
  • 1976Bela Bartok Essays48 cited
  • 20015. Experimental Oriental: New Music and Other Others43 cited
  • 1996Transethnicism and the American Experimental Tradition38 cited
  • 1996Evenings on and off the Roof: Pioneering Concerts in Los Angeles, 1939-197137 cited
  • 2001Driven into Paradise: The Musical Migration from Nazi Germany to the United States33 cited
  • 2019From Kwaidan: Stories and Studies of Strange Things (1904)30 cited
  • 1999Elizabeth Sprague Coolidge: American patron of music29 cited
  • 2004Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater26 cited

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  • 2001American compositional theory in the 1930s: scale and exoticism in ''The Nature of Melody'' by Henry Cowell25 cited
  • Cited by

    • 2013In the Tradition of Dissent3 cited