The Rise of Southern Gospel Music

Abstract

Hours before dark on a lazy summer afternoon in the mid-1990s, cars arrived in a long unbroken line that connected a rural two-lane highway to an unpaved parking lot. Seasonal thunderstorms and churning steel-belted radials combined to turn the meadow for overflow parking into a muddied mess. Still, some six thousand emerged from those vehicles and made their way toward a rustic fairgrounds stage. After displaying a ticket, they chose a spot, set up a few lawn chairs, and settled in for a long evening of entertainment and worship—making little to no distinction between the two. Each fan paid twelve dollars apiece to attend this gospel music event held just outside Boone, North Carolina, a small tourist community in the remote mountainous region of the state. All in all, few could complain about the price; the evening program featured five major groups, four with songs in Southern Gospel Music's Top 80 Hits monthly chart.

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