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Connect With Your Audience! The Relational Labor of Connection
16 references·6 citing·40 second hop
Connect With Your Audience! The Relational Labor of Connection (2015)Connect With Your Audience! The Relationa…Emotional Labor in the 21st Century (2013)Emotional Labor in the 21st C…Venture labor: work and the burden of risk in innovative industries (2012)Venture labor: work and the b…Venture Labor (2012)Venture LaborWork's Intimacy (2011)Work's IntimacyIn the Social Factory? (2008)In the Social Factory?Creative Work and Emotional Labour in the Television Industry (2008)Creative Work and Emotional L…The new shape of online community: The example of Swedish independent music fandom (2007)The new shape of online commu…Life Within and Against Work: Affective Labor, Feminist Critique, and Post-Fordist Politics (2007)Life Within and Against Work:…Emotional Labor and Organized Emotional Care (2006)Emotional Labor and Organized…The New Economy, Property and Personhood (2005)The New Economy, Property and…The Rise of the Creative Class (2002)The Rise of the Creative ClassTune in, Log on: Soaps, Fandom, and Online Community (2000)Tune in, Log on: Soaps, Fando…Musicking: The Meanings of Performing and Listening (2000)Musicking: The Meanings of Pe…Musicking: the meanings of performing and listening (1999)Musicking: the meanings of pe…“YOU'RE NOT JUST IN THERE TO DO THE WORK” (1996)“YOU'RE NOT JUST IN THERE TO …The Managed Heart: Commercialization of Human Feeling (1984)The Managed Heart: Commercial…Visual media analysis for Instagram and other online platforms (2021)Visual media analysis for Ins…Keep the Fire Burning: Exploring the Hierarchies of Music Fandom and the Motivations of Superfans (2021)Keep the Fire Burning: Explor…From “Networked Publics” to “Refracted Publics”: A Companion Framework for Researching “Below the Radar” Studies (2021)From “Networked Publics” to “…“You Need At Least One Picture Daily, if Not, You’re Dead”: Content Creators and Platform Evolution in the Social Media Ecology (2020)“You Need At Least One Pictur…Gender and self-enterprise in the social media age: a digital double bind (2017)Gender and self-enterprise in…Being ‘really real’ on YouTube: authenticity, community and brand culture in social media entertainment (2017)Being ‘really real’ on YouTub…The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Keywords: A Vocabulary of Culture and Society (1977)Infant Intersubjectivity: Research, Theory, and Clinical Applications (2001)The role of music in adolescents' mood regulation (2006)Music as emotional self-regulation throughout adulthood (2010)The Interpretation of Cultures (2017)Hegemony and Socialist Strategy (1985)Postmodernism, or, The cultural logic of late capitalism (1991)Risk Society, Towards a New Modernity (1994)Redoing feminism: digital activism, body politics, and neoliberalism (2015)The romance of work: Gender and aspirational labour in the digital culture industries (2015)Data Colonialism: Rethinking Big Data’s Relation to the Contemporary Subject (2018)States of Injury (1995)The Managed Heart (2012)Beyond Unwanted Sound (2017)Working Algorithms: Software Automation and the Future of Work (2017)Playing to the Crowd (2019)The Presentation of Self in Everyday Life. (1956)Affective publics: sentiment, technology, and politics (2016)Alternative Influence: Broadcasting the Reactionary Right on YouTube (2018)“This Is What the News Won’t Show You”: YouTube Creators and the Reactionary Politics of Micro-celebrity (2019)Ethics of Authenticity: Social Media Influencers and the Production of Sponsored Content (2020)The Presentation of Self in Everyday Life (2023)THE DISCOVERY OF GROUNDED THEORY: STRATEGIES FOR QUALITATIVE RESEARCH. By Barney G. Glaser and Anselm L. Strauss. Chicago: Aldine Publishing Company, 1967. 271 pp. $6.75 (1968)Remediation: understanding new media (1999)The SAGE Handbook of Qualitative Data Analysis (2014)Factors influencing TikTok engagement behaviors in China: An examination of gratifications sought, narcissism, and the Big Five personality traits (2021)Emotional Intelligence (1990)PSYCHOLOGICAL CONDITIONS OF PERSONAL ENGAGEMENT AND DISENGAGEMENT AT WORK. (1990)The Job Demands‐Resources model: state of the art (2007)Buzz: face-to-face contact and the urban economy (2004)Modernization, cultural change, and democracy the human development sequence (2005)The Real-Time City? Big Data and Smart Urbanism (2013)Digital labour and development: impacts of global digital labour platforms and the gig economy on worker livelihoods (2017)Toward a process theory of entrepreneurial ecosystems (2017)What Do Platforms Do? Understanding the Gig Economy (2020)Music and the materialization of identities (2011)Computer-Mediated Discourse Analysis (2004)Introduction: Sociolinguistics and computer‐mediated communication (2006)To See and Be Seen: Celebrity Practice on Twitter (2011)
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References

  • 1984The Managed Heart: Commercialization of Human Feeling8,747 cited
  • 2002The Rise of the Creative Class4,537 cited
  • 1999Musicking: the meanings of performing and listening1,540 cited
  • 2008In the Social Factory?1,477 cited
  • 2000Musicking: The Meanings of Performing and Listening1,337 cited
  • 2000Tune in, Log on: Soaps, Fandom, and Online Community873 cited
  • 2012Venture Labor406 cited
  • 2007Life Within and Against Work: Affective Labor, Feminist Critique, and Post-Fordist Politics316 cited
  • 2008Creative Work and Emotional Labour in the Television Industry280 cited
  • 2006Emotional Labor and Organized Emotional Care275 cited
  • 2013Emotional Labor in the 21st Century242 cited
  • 2011Work's Intimacy230 cited
  • 2012Venture labor: work and the burden of risk in innovative industries211 cited
  • 1996“YOU'RE NOT JUST IN THERE TO DO THE WORK”208 cited
  • 2007The new shape of online community: The example of Swedish independent music fandom194 cited
  • 2005The New Economy, Property and Personhood169 cited

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Cited by

  • 2017Being ‘really real’ on YouTube: authenticity, community and brand culture in social media entertainment329 cited
  • 2020“You Need At Least One Picture Daily, if Not, You’re Dead”: Content Creators and Platform Evolution in the Social Media Ecology326 cited
  • 2017Gender and self-enterprise in the social media age: a digital double bind271 cited
  • 2021From “Networked Publics” to “Refracted Publics”: A Companion Framework for Researching “Below the Radar” Studies236 cited
  • 2021Visual media analysis for Instagram and other online platforms165 cited
  • 2021Keep the Fire Burning: Exploring the Hierarchies of Music Fandom and the Motivations of Superfans35 cited