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De Meyer atVogue: Commercializing Queer Affect in First World War-era Fashion Photography
16 references·3 citing·33 second hop
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References

  • 1961The Long Revolution3,221 cited
  • 1999Whiteness of a Different Color1,766 cited
  • 1985Advertising the American Dream1,298 cited
  • 2000The Theory of the Leisure Class: An Economic Study in the Evolution of Institutions1,089 cited
  • 1994Land of Desire: Merchants, Power, and the Rise of a New American Culture.908 cited
  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
  • 2000Queering the color line: race and the invention of homosexuality in American culture660 cited
  • 1981Classic Essays on Photography619 cited
  • 2000Queering the Color Line582 cited
  • 2000Feeling Brown: Ethnicity and Affect in Ricardo Bracho's The Sweetest Hangover (and Other STDs)430 cited
  • 2006Bodies in Dissent405 cited
  • 1997Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot.347 cited
  • 2000Barbarian virtues: the United States encounters foreign peoples at home and abroad, 1876-1917281 cited
  • 2001Performance, Utopia, and the "Utopian Performative"259 cited
  • 2007Public Feelings222 cited
  • 2009Babylon girls: black women performers and the shaping of the modern

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205 cited

Cited by

  • 2014Photographing Objects as Queer Archival Practice68 cited
  • 2012Skin, Flesh, and the Affective Wrinkles of Civil Rights Photography17 cited
  • 2014Accessible Feelings, Modern Looks10 cited