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Rhetorical ascription and the gospel according to Dylan
6 references·9 citing·28 second hop
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this work references cited by second hop

References

  • 1973The Prospect of Rhetoric84 cited
  • 1972The musical form in rhetorical exchange: Theoretical considerations57 cited
  • 1981A time for every purpose under heaven: Rhetorical dimensions of protest music57 cited
  • 1979Make A Joyful Noise Unto the Lord: Hymns as a Reflection of Victorian Social Attitudes30 cited
  • 1997Bringing It All Back Home:18 cited
  • 1978A Humanistic Philosophy of Music16 cited

Cited by

  • 1998Virtuosity as rhetoric: Agency and transformation in Paganini's mastery of the violin36 cited
  • 1986Critical response and reply13 cited
  • 1996Rhetorical strategies of continuity and change in the music of popular artists over time8 cited
  • 1991Ballad of the apocalypse: Another look at Bob Dylan's “hard rain”7 cited
  • 2020Discursive Strategies in Selected Political Campaign Songs in Southwestern Nigeria6 cited
  • 2009Mass Communication and Identity Construction: Theory and a Case Study of Song-Recordings by a Popular Musician5 cited
  • 1996Drama and tragedy in contemporary folk music: Nanci Griffith's “it's a hard life wherever you go”4 cited
  • 2008Suburban American Punks and the Musical Rhetoric ofGreen Day's “Jesus of Suburbia”4 cited
  • 1994

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>Political themes in popular music videos: MTV's “Top 200, Ever”
3 cited