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Police Pictures: The Photograph as Evidence
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Police Pictures: The Photograph as Evidence (1997)Police Pictures: The Photograph as Eviden…Crime Scene Photography in England, 1895–1960 (2018)Crime Scene Photography in En…Caught on Camera (2017)Caught on CameraDocile Suffragettes? Resistance to Police Photography and the Possibility of Object–Subject Transformation (2015)Docile Suffragettes? Resistan…Seeing things: Violence, voyeurism and the camera (2014)Seeing things: Violence, voye…Introduction to special issue on Visual Culture and the Iconography of Crime and Punishment (2014)Introduction to special issue…Shades of Empire: Police Photography in German South-West Africa (2013)Shades of Empire: Police Phot…Eugenics Visualized: The Exhibit of the Third International Congress of Eugenics, 1932 (2012)Eugenics Visualized: The Exhi…Enduring Images and the Art of Remembering: Book Review of City of Shadows: Sydney Police Photographs 1912–1948 (Peter Doyle with Caleb Williams) and Exhibition Review of City of Shadows: Inner city crime & mayhem 1912–1948 (Curator Peter Doyle) (2006)Enduring Images and the Art o…Japan's First Cyborg? Miss Nippon, Eugenics and Wartime Technologies of Beauty, Body and Blood (2001)Japan's First Cyborg? Miss Ni…Urban perversions (2000)Urban perversionsThe Burden of Representation (1988)Discipline and Punish: The Birth of the Prison. (1996)Silencing the past: Power and the Production of History (1996)A Colonial‐Scientific Interface: The Construction, Viewing, and Circulation of Faces via a 1906 German Racial Atlas (2020)Hereditary Genius: An Inquiry into its Laws and Consequences (1914)In the Name of Eugenics: Genetics and the Uses of Human Heredity (1986)Rabelais and his world (2020)Rasse, Blut und Gene - Geschichte der Eugenik und Rassenhygiene in Deutschland (1988)Japan's Minorities: The Illusion of Homogeneity. (1998)TakarazukaSexual Politics and Popular Culture in Modern Japan (1998)Mutual corporeality: Gender and human/horse relationships (2009)Women's Rights? : The Politics of Eugenic Abortion in Modern Japan (2009)Hemato-nationalism: The Past, Present, and Future of “Japanese Blood” (2012)Inquiries into human faculty and its development. (1883)The Differend: Phrases in Dispute (1983)Archive Fever: A Freudian Impression (1995)Sketching Women in Court: The Visual Construction of Co-accused Women in Court Drawings (2016)Dignity in the digital age: Broadcasting the Oscar Pistorius trial (2018)Decoding the Crime Scene Photograph: Seeing and Narrating the Death of a Gangster (2019)Crime and Social Justice (1983)The Body and the Archive (1986)Mastering the Mug Shot (2016)Wench Tactics? Openings in Conditions of Closure (2017)Discipline and Punish: The Birth of the Prison (1978)Discipline and Punish: The Birth of the Prison. (1978)Seeing Like a State (2017)Crimes of the Senses: Yarn Bombing and Aesthetic Criminology (2019)Street Skateboarding and the Aesthetic Order of Public Spaces (2021)Sins of the City: The Real Los Angeles Noir (1999)The Interpretation of Cultures: Selected Essays. (1975)Theatres of Memory (1996)Suspect Identities (2001)Photographs Objects Histories (2004)Bodies in the Bed: English Crime Scene Photographs as Documentary Images (2019)
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Cited by

  • 2014Seeing things: Violence, voyeurism and the camera80 cited
  • 2014Introduction to special issue on Visual Culture and the Iconography of Crime and Punishment73 cited
  • 2001Japan's First Cyborg? Miss Nippon, Eugenics and Wartime Technologies of Beauty, Body and Blood66 cited
  • 2017Caught on Camera22 cited
  • 2015Docile Suffragettes? Resistance to Police Photography and the Possibility of Object–Subject Transformation19 cited
  • 2012Eugenics Visualized: The Exhibit of the Third International Congress of Eugenics, 193218 cited
  • 2018Crime Scene Photography in England, 1895–196017 cited
  • 2000Urban perversions13 cited
  • 2013Shades of Empire: Police Photography in German South-West Africa7 cited
  • 2006Enduring Images and the Art of Remembering: Book Review of City of Shadows: Sydney Police Photographs 1912–1948 (Peter Doyle with Caleb Williams) and Exhibition Review of City of Shadows: Inner city crime & mayhem 1912–1948 (Curator Peter Doyle)3 cited

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