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SIKH MUSIC AND EMPIRE: THE MORAL REPRESENTATION OF SELF IN MUSIC
16 references·3 citing·28 second hop
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References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 2001Imperial Encounters463 cited
  • 2003Imperial Encounters: Religion and Modernity in India and Britain291 cited
  • 1994The Construction of Religious Boundaries: Culture, Identity and Diversity in the Sikh Tradition290 cited
  • 2007Beyond Exoticism285 cited
  • 2007Singing the classical, voicing the modern: the postcolonial politics of music in South India223 cited
  • 2005Two Men and Music208 cited
  • 2006Singing the Classical, Voicing the Modern197 cited
  • 1995The construction of religious boundaries: culture, identity, and diversity in the Sikh tradition144 cited
  • 2003Imperial fault lines: Christianity and colonial power in India, 1818-1940120 cited
  • 2005Two men and music : nationalism in the making of an Indian classical tradition104 cited
  • 2002Gender, Caste, and Religious Identities: Restructuring Class in Colonial Punjab104 cited
  • 2003Religious conversion in India: modes, motivations, and meanings104 cited
  • 2001The English musical Renaissance, 1840-1940 : constructing a national music90 cited
  • 2006From the Tanjore Court to the Madras Music Academy: A Social History of Music in South India

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86 cited
  • 1997Indian music and the West79 cited
  • Cited by

    • 2012GURBANI KIRTANRENAISSANCE: REVIVING MUSICAL MEMORY, REFORMING SIKH IDENTITY10 cited
    • 2011SIKH SACRED MUSIC, EMPIRE AND WORLD MUSIC8 cited
    • 2008Music, Theosophical spirituality, and empire: the British modernist composers Cyril Scott and John Foulds8 cited