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Musicians and Librettists in the Correspondence of Gio. Giacomo Zamboni (Oxford, Bodleian Library, Mss Rawlinson Letters 116–138)
5 references·4 citing·24 second hop
Musicians and Librettists in the Correspondence of Gio. Giacomo Zamboni (Oxford, Bodleian Library, Mss Rawlinson Letters 116–138) (1991)Musicians and Librettists in the Correspo…The New Grove Dictionary of Music and Musicians. Stanley Sadie (1983)The New Grove Dictionary of M…A Chronology of Music in the Florentine Theater, 1590-1750: Operas, Prologues, Finales, Intermezzos, and Plays with Incidental Music (1979)A Chronology of Music in the …PARISIAN PATRONAGE OF PERFORMERS FROM THE ROYAL ACADEMY OF MUSICK (1719–28) (1977)PARISIAN PATRONAGE OF PERFORM…Paolo Rolli and the Italian Circle in London, 1715-1744 (1967)Paolo Rolli and the Italian C…Dizionario biografico degli italiani (1960)Dizionario biografico degli i…What Lists of Subscribers Can Tell Us: the Cases of Giacob Basevi Cervetto’s Opp. 1 and 2 (2015)What Lists of Subscribers Can…Some notes on the life of Jacob Cervetto (2013)Some notes on the life of Jac…Handel at a Crossroads: His 1737-1738 and 1738-1739 Seasons Re-Examined (2009)Handel at a Crossroads: His 1…The Correspondence of Agostino Steffani and Giuseppe Riva, 1720–1728, and Related Correspondence with J.P.F. von Schönborn and S.B. Pallavicini (2003)The Correspondence of Agostin…A General History of the Science and Practice of Music (2011)Concert Life in Eighteenth-Century Britain (2017)A General History of Music, from the Earliest Ages to the Present Period (2018)An Odd Attempt in a Woman: The Literary Life of Frances Brooke (1983)"Giant HANDEL" and the Musical Sublime (1986)The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660-1769. (1994)The South Sea bubble (1960)The Tory Crisis in Church and State, 1688–1730: The Career of Francis Atterbury, Bishop of Rochester (1976)The New Grove dictionary of music and musicians (2001)Supporting Handel Through Subscription to Publications: The Lists of Rodelinda and Faramondo Compared (1999)The rise of the public in Enlightenment Europe (2002)The Cambridge History of Medieval Political Thought c.350–c.1450 (1988)The Size of the Roman Population: Beloch and the Meaning of the Augustan Census Figures (1994)The Cambridge Companion to Cicero (2013)Dance and drama in French baroque opera a history (2016)How to Impress the Public: Farinelli's Venetian Debut in 1728–1729 (2020)The Emergence of Women Composers in Italy, 1566–1700 (1986)The Eighteenth-Century Origins of the Musical Canon (1989)Symbols and the world system: National anthems and flags (1993)Creative Development as Acquired Expertise: Theoretical Issues and an Empirical Test (2000)Choices in Song Translation (2008)The Royal Academy of Music (1719–28) and its Directors (1987)The Cambridge History of Eighteenth-Century Music (2009)‘FARÒ IL POSSIBILE PER VINCER L'ANIMO DI M.R HANDEL’: SENESINO'S ARRIVAL IN LONDON ANDARSACE'SRHETORIC OF PASSIONS (2017)
this work references cited by second hop

References

  • 1960Dizionario biografico degli italiani2,242 cited
  • 1983The New Grove Dictionary of Music and Musicians. Stanley Sadie145 cited
  • 1967Paolo Rolli and the Italian Circle in London, 1715-174459 cited
  • 1977PARISIAN PATRONAGE OF PERFORMERS FROM THE ROYAL ACADEMY OF MUSICK (1719–28)27 cited
  • 1979A Chronology of Music in the Florentine Theater, 1590-1750: Operas, Prologues, Finales, Intermezzos, and Plays with Incidental Music21 cited

Cited by

  • 2009Handel at a Crossroads: His 1737-1738 and 1738-1739 Seasons Re-Examined6 cited
  • 2015What Lists of Subscribers Can Tell Us: the Cases of Giacob Basevi Cervetto’s Opp. 1 and 24 cited
  • 2013Some notes on the life of Jacob Cervetto3 cited
  • 2003The Correspondence of Agostino Steffani and Giuseppe Riva, 1720–1728, and Related Correspondence with J.P.F. von Schönborn and S.B. Pallavicini3 cited

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