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Bill T. Jones, Tupac Shakur and the (Queer) Art of Death · Study

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ArticleBill T. Jones, Tupac Shakur and the (Queer) Art of Death

Sharon Patricia Holland2000

Article2000

Bill T. Jones, Tupac Shakur and the (Queer) Art of Death

Sharon Patricia Holland

27 citations·0/0 files stored·Callaloo

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Arts and Performance Studies Music History and Culture Theater, Performance, and Music History

Abstract

Callaloo - Volume 23, Number 1, Winter 2000

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References

1987Mama's Baby, Papa's Maybe: An American Grammar Book 1999Disidentifications: Queers Of Color And The Performance Of Politics 1996Passing and the Fictions of Identity 1994It Takes One to Know One: Passing and Communities of Common Interest 1998Can the Queen Speak? Racial Essentialism, Sexuality and the Problem of Authority 2000Raising the Dead 1969The body politic 1997Dislocating the color line: identity, hybridity, and singularity in African-American narrative

Cited by

2011Working Day and Night: Black Masculinity and the King of Pop 2002Queering Black Patriarchy: The Salvific Wish and Masculine Possibility in Alice Walker's The Color Purple 2015“Dead Citizen” and the Abject Nation: Social Death, Haiti, and the Strategic Power of the Image 2001“Holler if Ya Hear Me”: Black Men, (Bad) Raps, and Resistance

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2015Sex After the Black Normalarticle · 3 shared references 2000Ethnicity and Sexualityreview · 2 shared references 2019Black Girl Ordinary: Flesh, Carcerality, and the Refusal of Ethnographyarticle · 2 shared references 2008Hip-Hop Honeys and Da Hustlazarticle · 2 shared references 2020Drag pedagogy: The playful practice of queer imagination in early childhoodarticle · 2 shared references 1996The Autobiography of an Ex-Coloured Manchapter · 2 shared references

Details

Year2000

Typearticle

Published2000-12-01

VenueCallaloo

ISSN-L0161-2492

Languageen

Citations27

Files0 public / 0

ShelfArts and Performance Studies

Identifiers

doi10.1353/cal.2000.0033

openalex_workW1989100210

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