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What to Collect? Museums and Lesbian, Gay, Bisexual and Transgender Collecting
0 references·4 citing·15 second hop
What to Collect? Museums and Lesbian, Gay, Bisexual and Transgender Collecting (2007)What to Collect? Museums and Lesbian, Gay…A Holistic Exploration of the Collecting and Connecting Experiences of LGBTQ+ Communities, Their Independent Archives and the GLAMU Sector in New Zealand (2023)A Holistic Exploration of the…Gendering Objects at the V&A and Vasa Museums (2020)Gendering Objects at the V&A …Gender Perspective and Museums: Gender as a Tool in the Interpretation of Collections (2020)Gender Perspective and Museum…Secret Museums: Hidden Histories of Sex and Sexuality (2008)Secret Museums: Hidden Histor…The Secret Museum: Pornography in Modern Culture (1988)Forbidden friendships: homosexuality and male culture in Renaissance Florence (1997)Museums, Prejudice and the Reframing of Difference (2007)Museums and Sexuality (2013)LGBT Memory Project: A ‘Queer of Colour Critique’ Approach in Latin America and Caribbean Museums (2020)Renaissance clothing and the materials of memory (2001)Museums, Society, Inequality (2003)Museums and their Communities (2007)Gender and Queerness at the Victoria and Albert Museum: A Case of Museum Activism? (2024)Gender: A Useful Category of Historical Analysis (1986)Gender: A Useful Category of Historical Analysis (1986)Differencing the canon : feminist desire and the writing of art's histories (1999)Technological Tools for the Conservation and Dissemination of Valencian Design Archives (2023)Re-reading collections. A sustainable toolkit to achieve gender equality in museums (2025)Hidden from Historians: Preserving Lesbian Oral History in Canada (2015)
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  • 2008Secret Museums: Hidden Histories of Sex and Sexuality10 cited
  • 2020Gendering Objects at the V&A and Vasa Museums8 cited
  • 2020Gender Perspective and Museums: Gender as a Tool in the Interpretation of Collections7 cited
  • 2023A Holistic Exploration of the Collecting and Connecting Experiences of LGBTQ+ Communities, Their Independent Archives and the GLAMU Sector in New Zealand1 cited

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