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Osmin's rage: philosophical reflections on opera, drama, and text
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Osmin's rage: philosophical reflections on opera, drama, and text (1989)Osmin's rage: philosophical reflections o…The operatic work: texts, performances, receptions and repertories (2012)The operatic work: texts, per…The business of opera (2012)The business of operaGenre and poetics (2012)Genre and poetics‘An exotic and irrational entertainment’: opera and our others; opera as other (2012)‘An exotic and irrational ent…Opera as Experience (2009)Opera as ExperienceSignifyin(g): A semiotic analysis of symphonic works by William Grant Still, William Levi Dawson, and Florence B. Price (2007)Signifyin(g): A semiotic anal…OPERA, MYTH, SOCIETY: HOW DO THEY CORRELATE? (2004)OPERA, MYTH, SOCIETY: HOW DO …The Music of Sympathy in the Arts of the Baroque; or, the Use of Difference to Overcome Indifference (2001)The Music of Sympathy in the …Philosophical Perspectives On Music’s Expressiveness (2001)Philosophical Perspectives On…Acoustic concomitants of emotional expression in operatic singing: The case of lucia in Ardi gli incensi (1995)Acoustic concomitants of emot…Emotion East and West: Introduction to a Comparative Philosophy (1991)Emotion East and West: Introd…Haydn's Theater Symphonies (1990)Haydn's Theater SymphoniesPower/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Distinction: A Social Critique of the Judgement of Taste. (1985)Distinction: A Social Critique of the Judgement of Taste* (2018)International networks in cultural industries: the case of agencies for opera artists in the immediate post-COVID-19 period (2025)Emotion and Meaning in Music (1961)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)The New Grove dictionary of music and musicians (2001)Emotions and Speech: Some Acoustical Correlates (1972)Vocal affect expression: A review and a model for future research. (1986)Handbook of Emotions (1993)DATABASES OF EMOTIONAL SPEECH (2000)Music Performance Research at the Millennium (2003)Vocal tract resonances in speech, singing, and playing musical instruments (2008)Madness and Civilization (1961)Godel, Escher, Bach: An Eternal Golden Braid. (1980)Downcast eyes: the denigration of vision in twentieth-century French thought (1994)Headbanging as Resistance or Refuge: A Cathartic Account (2007)Bach's Dialogue with Modernity (2010)Classic Music: Expression, Form, and Style (1981)The New Grove Dictionary of Music and Musicians (1981)The Characteristic Symphony in the Age of Haydn and Beethoven (2002)The orchestral revolution: Haydn and the technologies of timbre (2013)Making Light (2018)Feeling and thinking: Preferences need no inferences. (1980)Caring: A Feminine Approach to Ethics and Moral Education (1984)The Concept of Mind (2006)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Culture and Imperialism. (1994)Orality and Literacy (1982)Philosophy in a New Key (1957)Languages of Art (1968)After Adorno : rethinking music sociology (2003)After Adorno (2003)The Singing Neanderthals: the Origins of Music, Language, Mind and Body, by Steven Mithen. London: Weidenfeld & Nicholson, 2005. ISBN 0-297-64317-7 hardback £20 & US$25.2; ix+374 pp. (2006)
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  • 2001Philosophical Perspectives On Music’s Expressiveness120 cited
  • 1990Haydn's Theater Symphonies68 cited
  • 1995Acoustic concomitants of emotional expression in operatic singing: The case of lucia in Ardi gli incensi48 cited
  • 2001The Music of Sympathy in the Arts of the Baroque; or, the Use of Difference to Overcome Indifference26 cited
  • 1991Emotion East and West: Introduction to a Comparative Philosophy11 cited
  • 2012Genre and poetics8 cited
  • 2012‘An exotic and irrational entertainment’: opera and our others; opera as other4 cited
  • 2012The operatic work: texts, performances, receptions and repertories4 cited
  • 2007Signifyin(g): A semiotic analysis of symphonic works by William Grant Still, William Levi Dawson, and Florence B. Price4 cited
  • 2004OPERA, MYTH, SOCIETY: HOW DO THEY CORRELATE?2 cited
  • 2012The business of opera2 cited
  • 2009Opera as Experience2 cited

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