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New portable instrument for combined reflectance, time-resolved and steady-state luminescence measurements on works of art
8 references·0 citing·29 second hop
New portable instrument for combined reflectance, time-resolved and steady-state luminescence measurements on works of art (2011)New portable instrument for combined refl…Ultraviolet—Visible Absorption and Luminescence Properties of Quinacridone—Barium Sulfate Solid Mixtures (2010)Ultraviolet—Visible Absorptio…Fluorescence Spectroscopy: A Powerful Technique for the Noninvasive Characterization of Artwork (2010)Fluorescence Spectroscopy: A …Application of the Kubelka—Munk Correction for Self-Absorption of Fluorescence Emission in Carmine Lake Paint Layers (2009)Application of the Kubelka—Mu…Vibrational and electronic properties of painting lakes (2008)Vibrational and electronic pr…Portable Equipment for Luminescence Lifetime Measurements on Surfaces (2008)Portable Equipment for Lumine…In situ fluorimetry: A powerful non-invasive diagnostic technique for natural dyes used in artefacts (2005)In situ fluorimetry: A powerf…Fiber Optics Reflectance Spectroscopy: A Non-destructive Technique for the Analysis of Works of Art (2005)Fiber Optics Reflectance Spec…A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings (1998)A spectrophotometric and fluo…Fluorescence of Paint and Varnish Layers (Part III) (1982)The photodegradation of some naturally occurring polymers (1996)The natural constituents of historical textile dyes (2004)A diagnostic study on folium and orchil dyes with non-invasive and micro-destructive methods (2015)A Color Analysis of the Brancacci Chapel Frescoes (1991)Non-Destructive Spectroscopic Investigations on Paintings Using Optical Fibers (1992)Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass (1996)In situ non-invasive characterization of pigments and alteration products on the masonry altar of S. Maria ad Undas (Idro, Italy) (2017)Rubens' painting as inspiration of a later tapestry: Non-invasive analyses provide insight into artworks’ history (2019)Acquisition of High Spectral Resolution Diffuse Reflectance Image Cubes (350–2500 nm) from Archaeological Wall Paintings and Other Immovable Heritage Using a Field-Deployable Spatial Scanning Reflectance Spectrometry Hyperspectral System (2022)High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)Development of Mild Extraction Methods for the Analysis of Natural Dyes in Textiles of Historical Interest Using LC-Diode Array Detector-MS (2005)Identification of dyestuffs in historical textiles: Strong and weak points of a non-invasive approach (2013)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Laser-Induced Fluorescence in Artwork Diagnostics: An Application in Pigment Analysis (1996)Correction of Ultraviolet-Induced Fluorescence Spectra for the Examination of Polychromy (2008)Photochemistry and cultural heritage. What is the impact of light on works of art? (2011)Carthamus tinctorius L.: A photophysical study of the main coloured species for artwork diagnostic purposes (2013)Unveiling the photostability of the molecule of colour shikonin: From solution to the solid state (2024)Photoluminescence of the inorganic pigments Egyptian blue, Han blue and Han purple (2000)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience (2016)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)The spatially resolved characterisation of Egyptian blue, Han blue and Han purple by photo-induced luminescence digital imaging (2009)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)UV-Vis spectroscopy (2018)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)Optimisation of ESI-MS detection for the HPLC of anthraquinone dyes (2007)Identification of indigoid dyes in natural organic pigments used in historical art objects by high‐performance liquid chromatography coupled to electrospray ionization mass spectrometry (2004)
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References

  • 2010Fluorescence Spectroscopy: A Powerful Technique for the Noninvasive Characterization of Artwork191 cited
  • 2008Vibrational and electronic properties of painting lakes145 cited
  • 1998A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings135 cited
  • 2009Application of the Kubelka—Munk Correction for Self-Absorption of Fluorescence Emission in Carmine Lake Paint Layers86 cited
  • 2005In situ fluorimetry: A powerful non-invasive diagnostic technique for natural dyes used in artefacts68 cited
  • 2008Portable Equipment for Luminescence Lifetime Measurements on Surfaces54 cited
  • 2010Ultraviolet—Visible Absorption and Luminescence Properties of Quinacridone—Barium Sulfate Solid Mixtures39 cited
  • 2005Fiber Optics Reflectance Spectroscopy: A Non-destructive Technique for the Analysis of Works of Art24 cited

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