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The Unknown Florestan: The 1805 Version of "In des Lebens Frühlingstagen"
12 references·0 citing·24 second hop
The Unknown Florestan: The 1805 Version of "In des Lebens Frühlingstagen" (1993)The Unknown Florestan: The 1805 Version o…‘ESSAYS IN PAPER ANALYSIS’ (1990)‘ESSAYS IN PAPER ANALYSIS’Ludwig van Beethoven, die Werke im Spiegel seiner Zeit : gesammelte Konzertberichte und Rezensionen bis 1830 (1987)Ludwig van Beethoven, die Wer…The Beethoven Sketchbooks: History, Reconstruction, Inventory (1986)The Beethoven Sketchbooks: Hi…Frits Noske : The Signifier and the Signified, Studies in the operas of Mozart and Verdi, 1977 (1986)Frits Noske : The Signifier a…The Signifier and the Signified: Studies in the Operas of Mozart and Verdi (1978)The Signifier and the Signifi…The Signifier and the Signified (1977)The Signifier and the Signifi…Gesammelte Aufsätze über Musik (1969)Gesammelte Aufsätze über MusikBeethoven's Heroic Phase (1969)Beethoven's Heroic PhaseThayer’s Life of Beethoven (1965)Thayer’s Life of BeethovenThayer's Life of Beethoven (1964)Thayer's Life of BeethovenThe Letters of Beethoven (1962)The Letters of BeethovenAusgewählte Aufsätze zur Musikgeschichte (1921)Ausgewählte Aufsätze zur Musi…Zum Verhältnis von akademischer Musikforschung und zeitgenössischer Musik in Deutschland zwischen dem Ende des Ersten Weltkriegs und den frühen 1960er Jahren (2000)Introduction (2002)Time, Morality, and Humanity in Beethoven's "Pastoral" Symphony (1997)Not "Which" Tones? The Crux of Beethoven's Ninth (1998)‘Late’, Last, and Least: On Being Beethoven’s Quartet in F Major, op. 135 (2006)The New Public and the Reordering of the Musical Establishment: The Lower Rhine Music Festivals, 1818-67 (1980)Beethoven and Mozart's Requiem: A New Connection (1987)Irony and Incomprehensibility: Beethoven's “Serioso” String Quartet in F Minor, Op. 95, and the Path to the Late Style (2017)Gradus ad Parnassum: Beethoven, Schubert, and the Romance of Counterpoint (1987)Beethoven 1806 (2019)Toward the Revival of the Classical Orchestra (1976)Wagner, Deafness, and the Reception of Beethoven's Late Style (1998)Music into action: performing gender on the Viennese concert stage, 1790–1810 (2002)‘O cieli azzurri’: Exoticism and dramatic discourse in Aida (1991)‘TB sheets’: Love and disease in La traviata (1995)Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)Beethoven's Sonata Op. 14, No. 1, Originally for Strings? (1970)Beethoven's Sixth Symphony: Sketches for the First Movement (1974)The Prosodic Appoggiatura in the Music of Mozart and His Contemporaries (1989)Fidelio and the French Revolution (1991)Beethoven Heroine: A Female Allegory of Music and Authorship in Egmont (2006)The Cambridge Companion to the Eroica Symphony (2020)Music and Language: Commonalities in Semiotics, Syllabus, and Classroom Teaching (1991)Recognition in Mozart's Operas (2006)
this work references cited by second hop

References

  • 1964Thayer's Life of Beethoven100 cited
  • 1962The Letters of Beethoven66 cited
  • 1986The Beethoven Sketchbooks: History, Reconstruction, Inventory63 cited
  • 1969Beethoven's Heroic Phase42 cited
  • 1965Thayer’s Life of Beethoven42 cited
  • 1987Ludwig van Beethoven, die Werke im Spiegel seiner Zeit : gesammelte Konzertberichte und Rezensionen bis 183041 cited
  • 1977The Signifier and the Signified34 cited
  • 1978The Signifier and the Signified: Studies in the Operas of Mozart and Verdi31 cited
  • 1921Ausgewählte Aufsätze zur Musikgeschichte17 cited
  • 1969Gesammelte Aufsätze über Musik17 cited
  • 1986Frits Noske : The Signifier and the Signified, Studies in the operas of Mozart and Verdi, 19777 cited
  • 1990‘ESSAYS IN PAPER ANALYSIS’6 cited

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