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Negotiating class, ethnicity and modernity: the ‘Malaynisation’ of P. Ramlee and his films
15 references·2 citing·26 second hop
Negotiating class, ethnicity and modernity: the ‘Malaynisation’ of P. Ramlee and his films (2014)Negotiating class, ethnicity and modernit…Dance of Life (2017)Dance of LifeNation and Narration (2013)Nation and NarrationThe Location of Culture (2012)The Location of CultureTowards a Critical Theory of Third World Films (2011)Towards a Critical Theory of …The Limited Imagination of National Cinema (2008)The Limited Imagination of Na…Other Malays: Nationalism and Cosmopolitanism in the Modern Malay World (2007)Other Malays: Nationalism and…The Ambivalence of P. Ramlee: Penarek Beca and Bujang Lapok in Perspective (2002)The Ambivalence of P. Ramlee:…P. Ramlee : the bright star (2002)P. Ramlee : the bright starThe sociological scope of 'national cinema' (2000)The sociological scope of 'na…Dance of life: popular music and politics in Southeast Asia (1998)Dance of life: popular music …Waving the flag: constructing a national cinema in Britain (1995)Waving the flag: constructing…Waving the Flag (1995)Waving the FlagThe Matter of Images: Essays on Representations (1993)The Matter of Images: Essays …Questions of Third Cinema (1990)Questions of Third CinemaThe Dominant Ideology Thesis. (1981)The Dominant Ideology Thesis.Reframing the National Culture Narrative of P. Ramlee (2021)Reframing the National Cultur…Singapore as non-place: National cinema through the lens of temporal heterogeneity (2020)Singapore as non-place: Natio…Rethinking authenticity in tourism experience (1999)Discourse Analysis as Theory and Method (2002)The New Mobilities Paradigm (2006)Beyond geography's visible worlds: a cultural politics of music (1997)Cultures of Masculinity (2004)White Women, Race Matters (2010)Media and the Making of British Society, c .1700-2000 (2002)Culture in Camouflage (2009)The ‘creative treatment of actuality’: Rationalizing and reconceptualizing the notion of creativity for documentary practice (2010)The sound of ‘longing for home’. Redefining a sense of community through Minang popular music (2002)Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic, and the Cosmopolitan in Popular Music (2011)The Black Pacific: Music and Racialization in Papua New Guinea and Australia (2014)The Post-Colonial Studies Reader (1996)Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices (1998)Boundary Crossing and Boundary Objects (2011)Fixity and Flux: Bidayuh (Dis)engagements with the Malaysian Ethnic System (2007)Circulations of Law: Cosmopolitan Elites, Global Repertoires, Local Vernaculars (2014)Rizal and the rethinking of the analytics of Malayness (2017)Urban Regimes and the Capacity to Govern: A Political Economy Approach (1993)Theorising media as practice (2004)Political Ideology: Its Structure, Functions, and Elective Affinities (2008)Creative mass. Consumption, creativity and innovation on Bangkok's fashion markets (2014)Cosmopolitan Art and Cultural Citizenship (2002)Flagging Finnishness: Reproducing National Identity in Reality Television (2007)Science "Gone Native" in Colonial India (1992)Reconceptualizing national cinema/s (1993)
this work references cited by second hop

References

  • 2012The Location of Culture17,820 cited
  • 2013Nation and Narration2,077 cited
  • 1993The Matter of Images: Essays on Representations593 cited
  • 1981The Dominant Ideology Thesis.475 cited
  • 1990Questions of Third Cinema381 cited
  • 1995Waving the flag: constructing a national cinema in Britain213 cited
  • 2007Other Malays: Nationalism and Cosmopolitanism in the Modern Malay World142 cited
  • 1995Waving the Flag141 cited
  • 1998Dance of life: popular music and politics in Southeast Asia78 cited
  • 2017Dance of Life50 cited
  • 2000The sociological scope of 'national cinema'46 cited
  • 2011Towards a Critical Theory of Third World Films34 cited
  • 2008The Limited Imagination of National Cinema30 cited
  • 2002P. Ramlee : the bright star8 cited
  • 2002The Ambivalence of P. Ramlee: Penarek Beca and Bujang Lapok in Perspective8 cited

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  • 2020Singapore as non-place: National cinema through the lens of temporal heterogeneity5 cited

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2021
Reframing the National Culture Narrative of P. Ramlee
2 cited